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It looks like there was quite a bit of Disney family backing for this occasionally quite insightful look at the roles of women in cinema over the decades, but unfortunately Nina Menkes chose to use a lecture as the template for her message and the ensuing delivery is probably more notable for it's sweeping generalisations than it is for any potent points it wishes to make. Her message about the historical objectification of women at the hands of largely (heterosexual) men drags in far too many films and genres without really detailing just who was directing what - on screen or from the office. Nor, indeed, does it begin to address that many of these men would have been facing a considerable degree of sexual repression of their own - and a legal one, at that, as they made their films. The simplicity of many of the statements aren't backed up by any of the actors or directors providing comment - contemporary or archive - on why they chose to make films that may or may not have compromised their actor's sexual and/or artistic integrity. The likes of Katharine Hepburn, Bette Davis, Greta Garbo and Marlene Dietrich were, to an extent, made by their male directors and producers but would anyone argue that they compromised their identity to become stars? If so, then was this because of a male dominated studio system or maybe because that's what the wider American - this documentary doesn't attempt with any weight to look at the far more interesting European cinema environment - public actually wanted. To what extent are any of her assertions, and those of her assembled collection of academics and C-listers, taking into account the market for which these works are intended. Again, there's no redress for the cinema going punters. Great detail is gone into about the sexualisation of the female body, of violence - physical, psychological or implied; but again we have no input from the directors or the writers who created these images and characters to explain any rationale. Nor do we really hear about the motivations from the participators who needed the work, wanted the fame, wanted the money, or who didn't see any of it as prurient or exploitative at all. It's the very one-sided earnestness that disappoints. Balance wouldn't necessarily have diluted the thrust, but it might have illustrated far better the intricacies both commercial and personal of an industry as riddled with flaws and inconsistencies as the society it serves.
In a Turkish village, five orphaned sisters live under strict rule while members of their family prepare their arranged marriages.
Drawing on the book of the same name, League of Denial crafts a searing two-hour indictment of the National Football League’s decades-long concealment of the link between football related head injuries and brain disorders.
Rosanna Arquette talks to various actresses about the pressures they face as women working in the entertainment industry.
After Chilean writer María Carolina Geel murders her lover, the case captivates shy legal secretary Mercedes, sparking a connection between the two women.
An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
Set during the second world war, the sentimental education of a sensual adolescent girl, growing out of her childhood in a small, impoverished village in Southern Italy.
A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.
It’s the 1980s and the world of professional surfing is a circus of fluorescent colors, peroxide hair and radical male egos. "Girls Can't Surf" follows the journey of a band of renegade surfers who took on the male-dominated professional surfing world to achieve equality and change the sport forever. Featuring surfing greats Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, Layne Beachley and more, "Girls Can't Surf" is a wild ride of clashing personalities, sexism, adventure and heartbreak, with each woman fighting against the odds to make their dreams of competing a reality.
The untold story of Katherine G. Johnson, Dorothy Vaughan and Mary Jackson – brilliant African-American women working at NASA and serving as the brains behind one of the greatest operations in history – the launch of astronaut John Glenn into orbit. The visionary trio crossed all gender and race lines to inspire generations to dream big.
A spirited dressmaker's small store flourishes into a business empire in the midst of the Texas oil boom of the 1940s.
