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I hate to admit it, but I allowed myself to be suckered in to this one as a result of its rambunctiously funny trailer only to be grossly disappointed at what I saw. This is a positively dreadful film, and I’m at a complete loss to understand how viewers have found it funny. When a pair of lesbian high school students (Rachel Sennott, Ayo Edebiri) establish a fight club (i.e., a euphemistically labeled “self-defense program”) as a means to surreptitiously bed down their cheerleader classmates (a story line that’s more than a little dubious in itself), they subsequently launch into a meandering narrative that makes little sense and plays like it was made up by a group of stoners who’ll laugh at anything when suitably smoked up. The film starts out trying way too hard and then proceeds to quickly go downhill from there. Much of the material is in questionable taste, too, such as sequences that feature unrestrained physical abuse against women, as well as other forms of sanctioned violence. How is this stuff supposed to be funny? “Bottoms” has been described by viewers and critics as a go-for-broke/anything-for-a-laugh comedy, but I found its distasteful stabs at humor cringeworthy at best. What’s more, the picture’s feeble attempts at trying to inject the narrative with a message related to women’s empowerment are completely betrayed by its many wrong-headed plot devices. To the film’s credit, it does feature some passable performances by its supporting cast (most notably Punkie Johnson, Dagmara Dominczyk and former NFL star Marshawn Lynch). But, sadly, this effort is a big step down for director Emma Seligman and writer-actor Rachel Sennott, both of whom turned in brilliant work in their raucous collaboration, “Shiva, Baby” (2020) (not to mention that Sennott’s casting represents a laughable choice for someone who’s nearly 28 attempting to portray an 18-year-old character). It’s also quite a comedown for producer Elizabeth Banks, who scored big earlier this year with the utterly hilarious “Cocaine Bear.” It occurred to me after watching this debacle that maybe I’m just getting old and losing my sense of humor, but, after thinking it over, I realized that’s genuinely not the case. This may indeed represent a case of changing movie tastes, but, if that’s so, I’m seriously troubled about the direction in which those tastes are headed.
"PJ" (Rachel Sennott) and her best mate "Josie" (Ayo Edebiri) are starting the new year at school confident that they won't get laid! It's not just that they are gay, it's that they are gay, "ugly" and "untalented" - a toxic combination designed to ensure they continue to get their fun from Pornhub. Meantime, cheating school heart-throb "Jeff" (Nicholas Galitzine) is having a row with his girlfriend "Isabel" (Havana Rose Liu) that sees the latter take refuge with the girls in their car and the most minuscule of car accidents reduce this macho lad to a gibbering wreck! This is what inspires our duo to start a club at school that will ostensibly teach young women the basics of self defence whilst allowing them to maybe get some "fun" into the bargain! What now ensues is all rather puerile, I found. Maybe it's supposed to be satire, but that any school would allow the pupils to use the gym to beat each other up - under the supervision of a teacher - is just preposterous. The characterisations are just about as shallow as you can get and the writers need to appreciate that using the full gamut of Anglo-Saxon expletives doesn't actually make a film funny. As it lumbers on it becomes more and more cringe-worthy until a denouement that is just like something left on the cutting room floor from an edition of "Happy Days". I get that I'm not the demographic, but this is still a weakly constructed, over-acted and rather aggressive reinforcement of just about every stereotype there might be in an American school - and none of these people come off very well.
Bottoms tries to be a queer, feminist twist on the high school comedy, but what it delivers is a chaotic, mean-spirited farce that confuses shock value for substance. Also, writer is a degenerate for putting sex scenes in a high-school movie. Watch literally anything else.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.