The Peanut Man 2024 - Movies (Feb 14th)
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Gogglebox - (Feb 14th)
Deadline- White House - (Feb 14th)
Death in Paradise - (Feb 14th)
Katy Tur Reports - (Feb 14th)
Four in a Bed - (Feb 14th)
The Good Ship Murder - (Feb 14th)
Chris Jansing Reports - (Feb 14th)
The Kelly Clarkson Show - (Feb 14th)
Piers Morgan Uncensored - (Feb 14th)
Richard Osmans House of Games - (Feb 14th)
Would I Lie to You - (Feb 14th)
Deal or No Deal - (Feb 14th)
The Tucker Carlson Show - (Feb 14th)
Ice Road Rescue - (Feb 14th)
First Dates Ireland - (Feb 14th)
The Repair Shop on the Road - (Feb 14th)
Robson Greens Weekend Escapes - (Feb 14th)
The Chase Australia - (Feb 14th)
The Chase - (Feb 14th)
Jesse Watters Primetime - (Feb 14th)
Documentary trilogy about the thorny path of the famous Ukrainian poet, translator, political prisoner Vasyl Stus. Filmed in 1989-1992, it describes the life of the poet, the story of the destruction of the dissident by the Soviet authorities, highlights his influence on Ukrainian society during life and after his death, records the testimony of witnesses, films the liquidated Kuchino camp, in which Stus was imprisoned, the reburial of Stus, Lytvyn and Tykhy in 1989. Consists of three parts: «Come back to me, my memory» (Верни до мене, пам’яте моя), «In the white cold the sun of Ukraine» (У білій стужі сонце України), «Crucified on a black cross» (Розіп’ятий на чорному хресті).
The first film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events of Vasyl Stus's life from birth to the beginning of the 70s. It contains interviews with his mother Iryna Stus, comrade Vasyl Shymanskyi, Roman Korohodskyi, Vyacheslav Chornovil, Mykhailyna Kotsyubynska, Marharyta Dovhan and others, photos from the times school and institute studies, army service, postgraduate study at the Institute of Literature, fragments from letters and essays.
The second film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the period from the first arrest on December 12, 1972 to the death of the father in June 1978. Interviews with his son Dmytro Stus, wife Valentyna Popelyukh, comrades Oleh Orach, Yevhen Sverstyuk, Opanas Zalyvakha, Ivan Kalynychenko, Leonid Seleznenko, Semen Hluzman, Iryna Kalynets and others reveal the details of the search, imprisonment, trial on September 7, 1972, and the prisoner's life of the writer.
The third film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events from the return from Kolyma in 1979 to the reburial on November 19, 1989. Interviews with the last cellmate of the writer Leonid Borodin, former political prisoners Vasyl Ovsienko, Levko Lukyanenko provide an opportunity to recreate the last episodes of Vasyl Stus's life: the conflict with Romashov, a fictional report about Stus's behavior in the cell, his emotional explosion due to slander, the announcement of a hunger strike, solitary confinement, night from September 3 to 4, 1985.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.