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**_A female alone in a house at night, targeted by a madman_** On a stormy night, a babysitter (Rebekah Kochan) starts her gig with a new family in SoCal, but finds herself harassed by phone calls from an unidentified man, whom she suspects is her boyfriend (Robert Buckley). When the latter & friends stop by (Sarah Hall), she knows the caller is someone else. Havoc ensues. "When a Killer Calls" (2006) is a traditional slasher in the mold of 70’s movies “Home for the Holidays,” “Black Christmas,” “Savage Weekend,” “Halloween” and, of course, “When a Stranger Calls.” Practically every one of these involve a young female or three stuck in a house during a storm, staving off a psycho killer. Armchair critics naturally have a low opinion of it because it was produced by The Asylum as a knockoff of the 2006 remake of “When a Stranger Calls” (they have the same plot), which turned out to be a hit at the box office. The theatrical film is more artistic and unsurprisingly so since it cost $15 million, while this one cost a fraction of that and yet delivers the goods for the genre and is quite brutal. You have to remember that all of those 70’s slashers were low-budget affairs. “When a Stranger Calls” had a larger budget, $1.5 million, while “Halloween” only cost $325,000 and “Savage Weekend” a mere $58,000. Meanwhile “Home for the Holidays” had a TV budget. I point this out because competent filmmakers can make a quality slasher without a huge budget. Mockbuster or not, “When a Killer Calls” does this. True, the story is unoriginal, but so is the story in the remake of “When a Stranger Calls.” Speaking of which, the idea of a babysitter being harassed by a psycho man is an urban legend, yet it’s based on real-life accounts, such as the 1950 case of Janett Christman from Columbia, Missouri, and the 1953 case of Evelyn Hartley in La Crosse County, Wisconsin. The first girl was found raped & murdered while the body of the second was never found. Both crimes remain unsolved. The movie runs 1 hour, 31 minutes, and was shot at Lake Arrowhead, San Bernardino National Forest, California. GRADE: B-/C+
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
Attempting to recover from a recent family trauma by escaping into the woods for a peaceful hiking trip, an ex-lawman and his young son stumble across a dangerous contract killer.
Raven, the only survivor of a previous massacre, returns to the forest to avenge her fallen friends and stop Camp Blood Killer once and for all.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
While in a very dangerous psych trip, a former police officer Hector lives his past in the present while he tries to get free from his anguish and find out his mistakes in order to be forgiven of his sins.
A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.
An FBI agent is killed by the mob after making off with five million in gold bars in a robbery gone bad. Agent Jerry Cotton is called in to bring the gang to justice and find out where his dead pal hid the missing gold.
Former London constable Nicholas Angel finds it difficult to adapt to his new assignment in the sleepy British village of Sandford. Not only does he miss the excitement of the big city, but he also has a well-meaning oaf for a partner. However, when a series of grisly accidents rocks Sandford, Angel smells something rotten in the idyllic village.
Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right, they travel around the country to gather statements and evidence, while strong forces use any means they can to keep the story untold.
A young sociologist researching criminal women selects a captivating inmate as his subject. As he conducts interviews in prison, her troubled past and justifications for her actions intrigue him. His growing interest soon blurs professional boundaries, testing his ability to resist her charm.
