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Really good westerns are really thin on the ground these days. This has become an instant favorite of mine, both for the intelligent (though admittedly fanciful) plot, as well as for the gritty acting by the ensemble cast. This is a slow burner, building up to its explosive ending. I can’t help but wonder if the scriptwriting was influenced by Clint Eastward’s Unforgiven. A widower trying to raise a family scratching out a living on a meager farm. A man with a past that is gradually revealed. And despite it being a slow burner, it retained my interest the way that Unforgiven did. Granted, the gunfight sequences seem excessive, but that is almost a hallmark of modern westerns. There are plot twists at the end, one that is imaginative and almost breathtaking as it is revealed, and the other reminiscent of Cold War espionage films, where the heroes ultimately don’t know who to trust. To avoid spoilers, I will say no more. So I will definitely watch this movie again. It is similar to Unforgiven in that respect also.
**_How can you find sanctuary when violence shows up on your doorstep?_** A father and son on a remote homestead in the eastern Oklahoma Territory in 1906 take in a wounded man, which attracts three men claiming to be law officers. Havoc ensues. Tim Blake Nelson plays the withered farmer while Stephen Dorff is on hand as the leader of the trio. "Old Henry" (2021) includes Trace Adkins in a small role, which wasn’t a good sign since a couple of his recent Westerns weren’t up to par. I’m talking about “Stagecoach: The Texas Jack Story” and “The Virginian” (“Traded” and “Hickok” were much better, but nothing exceptional). Thankfully, I was pleasantly surprised by “Old Henry.” Like those other modern Westerns, it was made on a shoestring budget but quality writing and acting win the day. Mix the basic setting of “Echoes of War” with the Eastern locations of “The Long Riders” and the lonely brooding of “The Assassination of Jesse James by the Coward Robert Ford” along with the production tone of a couple of those low-budget Trace Adkins’ Westerns and you’d have a good idea of this one. I don’t want to say more because there are quality surprises in store. The movie runs 1 hour, 38 minutes, and was shot in Watertown, Tennessee, which is about 45 miles east of Nashville. GRADE: A-/B+
Late 18th-century Joseon dynasty. The King is beleaguered and surrounded by traitors of the ruling elite. They plan to assassinate and replace him with a puppet. But the King has some aces up his sleeve that may help him defeat them all.
British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.
In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.
Max Kirkpatrick is a cop who protects Kate McQuean, a civil law attorney, from a renegade KGB team out to terminate her
Following the tragic events of Sting of the Scorpion, Maggie finds herself stripped of her rank and committed to an insane asylum. The crooked cop who put her there offers to procure her release and reinstatement - if she'll go undercover as a bar hostess to spy on the triads. The whole thing's a setup, of course, and soon Maggie is on the run from the law, as well as nursing a bad heroin addiction. She finds refuge in the criminal underworld, where she accepts a job as an undercover assassin. But when her identity is exposed, Maggie has both sides of the law gunning for her life.
A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way.
Joan Wilder is thrust back into a world of murder, chases, foreign intrigue... and love. This time out she's duped by a duplicitous Arab dignitary who brings her to the Middle East, ostensibly to write a book about his life. Of course, he's up to no good, and Joan is just another pawn in his wicked game. But Jack Colton and his sidekick Ralph show up to help our intrepid heroine save the day.
Joe Moore has a job he loves. He's a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman, reneges on the money he's owed, and his wife may be betraying him with the fence's young lieutenant. Moore and his partner, Bobby Blane, and their utility man, Pinky Pincus, find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.
The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.
A DEA agent provides former Marine Tim Kearney with a way out of his prison sentence: impersonate Bobby Z, a recently deceased drug dealer, in a hostage switch with a crime lord. When the negotiations go awry, Kearney flees, with Z's son in tow.
Two young women will stop at nothing for one to gain a $4 million inheritance of two priceless diamonds, while two detectives try to thwart their plans, but find complications abound.