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Ah, I wanted to like this. It tries, but 'End of the Road' isn't something I'd wanna revisit in a great hurry. Queen Latifah and Chris Bridges (aka Ludacris) are the film's only real positive, though I will say the change in directon of the story did fool me... so kudos for that. I actually think the twist makes the story weaker, but still. I found the pacing and dialogue to be off, it does attempt heart with the main characters but sadly it just doesn't come across as natural. You could do worse, but this one fell unfortunately flat for me.
In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.
Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.
Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.
Venice, 1596. Bassanio begs his friend Antonio, a prosperous merchant, to lend him a large sum of money so that he can woo Portia, a very wealthy heiress; but Antonio has invested his fortune abroad, so they turn to Shylock, a Jewish moneylender, and ask him for a loan.
Elling has lived with his mother all his life. Mom is the practical one, while Elling ponders the more theoretical aspects of life. He spends his time in their apartment reading books and looking at the neighbours through the living room window. Elling doesn't seem to need to be around others like most people. That's why Elling is less than enthusiastic when his mother suddenly decides to take her son on a beach vacation to Spain. Reluctantly, Elling agrees. After all, a lady at her age needs a good man by her side. But what Elling refuses to realize is that Mom is not only old, but also sick. Very sick. On her last vacation she tries to get Elling to see that life is bigger than their living room.
A boy with a massive facial skull deformity and his biker gang mother attempt to live as normal a life as possible under the circumstances.
Sharing the same dream two young actors embark on a journey filled with desire, determination and disappointment. When reckless Italian Alessandro meets cautious Englishwoman Celeste at a London acting school, they decide to move together to LA in the hope of striking gold in the Hollywood film industry. It tells the story of how dreams crash when faced with ugly reality, and how souls can be consumed by ambition.
A young woman turns on the tv to watch her favourite Korean romantic drama but realizes to her horror that she may be the one being watched.