Citizen Shane

Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

Behind his polite exterior lies a formidable leader with a ruthless character, ready to do anything to make China the world's leading power by the People’s Republic’s centenary in 2049. This well-documented portrait of the Chinese president gives an unprecedented insight into his politics and shows how Xi Jinping's personal journey has shaped his choices as he steers China towards world domination.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

A documentary about the end of the student movement in 1972 and the lynching of Daizaburo Kawaguchi, a student at Waseda University. The documentary interweaves testimonies from japanese intellectuals and a short play, written and directed by Shôji Kôkami, about the murder.

In 2019, Will Wood and the Tapeworms went into studio to record a collection of songs Wood had written since his sophomore effort "SELF-iSH." The record, entitled "The Normal Album," was a significant departure from his previous work - much like his previous work. The process of constructing this strange and polarizing experimental "avant-pop" album was documented by Jake Feldman and Danger Baby Films' Mike Diebold, and Will Wood was left with the footage to do with as he pleased.

Sassnitz is a small coastal town at the Baltic Sea on the Island of Rügen. In its vicinity are the world-famous chalk cliffs, a tourist magnet. The Mukran Port is also part of the municipality. The overseas port is the starting point for the construction of Nord Stream 2, a natural gas pipeline that connects Germany directly with Russia. In 2020, the port town hit the international headlines. Even the New York Times reported and cited Mayor Frank Kracht as a staunch opponent from the northeast German province against the rumbling America of Donald Trump. The reason is the undisguised threat from Washington to ruin the international port economically if the natural gas pipeline continues to be built from there. Many jobs and the region's economic stability are at risk. Reporter Klaus Scherer documents the case, questions experts as well as those affected and looks at the behavior of national politicians towards the USA and how they react to the interference in internal affairs.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.