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> One liner, somewhat richer, but only a decent entertainer. A sci-fantasy directed by the Wachowskis of 'The Matrix' fame. Theirs lowest point ever as the filmmakers, but still not that bad flick. The movie lacked in many areas, and one of those is failing to have at least one stunning fight/war scene. I know it was only the beginning and there will be a sequel, maybe ends as a trilogy, but the story was very weak for an intro movie. Looks like one-liner, precisely to say kind of similar to 'The Hitchhiker's Guide to the Galaxy'. I mean in a thin idea, the whole story takes place. Something like a space expedition for a chosen one, hopping from a planet to planet, seeking answers and protection. The title character, Jupiter Jones, played by Mila Kunis, with the help of the Caine Wise (Channing Tatum) takes a risky venture when their lives were threatened. Finding who's behind and other truth brings the end of the narration, which runs for just over a 2 hour. Performances were okay, but kind of doubt their inclusion in the project. Mostly the cast was the younger ones, maybe except, Sean Bean. Many of them are only the recently emerged stars. So it was a big responsibility in a big budget movie and they did it. But the movie should have had at least one senior artist. The graphics were somewhat rich, and again the absence of the quality scenes and stunts lets the movie fall. 6½/10
It appears that I am going to disagree with a fair number of people when I say that I quite liked this movie. Sure, if you expect some deep story with a lot of moral cleverness in it you are going to be disappointed. This is an interesting story but one that hangs together by a fairly fine thread. To me it is a decent enough story that is propelled by a decent enough action and absolutely wonderful scenery. Yes, I agree with everyone saying that it is a bit of a B-story. It has many issues and barely hangs together at times. However, if you try to ignore that for a while and just try to view it as a piece of, fairly fast paced, visual entertainment, well then it hits the spot quite well. It is frequently beautiful to watch. The action sequences are not bad and the story is, if nothing else, certainly not the usual thirteen to a dozen B-movie repeats. The acting is, well, also generally of B-movie quality but it is not downright bad and, once I got in the right mindset for the movie, it did not disturb me. On the whole I quite liked this movie but I guess you have to be a bit of sci-fi fan, with an emphasize on visuals, to do so.
An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
Just when So-Ri is about to break down, a stranger enters her life. He seems to know all her secret fears, doubts and hopes. Unable to stop herself, So-Ri follows him to a place from which there might be no coming back…
A rogue cop must stop a scientist from taking over the world with his deadly female robots, who are shrinking the world leaders.
The first pilot to leave Earth's atmosphere lands, then vanishes; but something with a craving for blood prowls the countryside...
A woman is forced to go on the run when her superhuman abilities are discovered. Years after having abandoned her family, the only place she has left to hide is home.
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
Aliens masquerading as owners of a small town video store distribute tapes that cause anyone who watches them to pleasure themselves and whoever else is nearby.
After a new cannery introduces scientifically augmented salmon to a seaside town in the Pacific Northwest, a species of mysterious, mutated sea creatures begin killing the men and raping the women.
Astronauts land on a planet with prehistoric creatures and a war between a human-like tribe and a race of vampires.
A idyllic, small, self-sufficient community. On the surface, it seems like the perfect neighborhood. Everything you could possibly need is within walking distance. But...the pastoral exterior conceals a dark past and an even darker secret. As a group of individuals-each with their own ties and agendas with the town and each other-converges on the enclave, strange things begin to happen. Very strange things. Strange enough to test- and then break-the very fabric of reality itself.
Three vegetarian astronaut zombies land on an exotic planet in search of new plant-based delights. Curious and hungry, they begin to explore the mysterious world filled with fascinating plants. However, they soon discover that things are not exactly as they seem. Surrounded by an environment full of suspense and surprises, the zombies face unexpected challenges that lead to a surprising twist. "Vegetarian Zombies from Outer Space" is a sci-fi animation of mystery and irony set in a vibrant galactic scenario.
