Rock, Paper, Scissors.

A sniper is hiding in a bush. He’s waiting to do what he has to do. A man made a choice and he tries to convince a woman to accept it. Some boys organize a football match. A child plays with a water gun. It’s a late summer afternoon. For someone, it will be the last summer.

Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.

After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is wracked with grief and guilt since her baby died in the crash which she and Max survived.

An unhinged office worker who planned to go on a shooting spree at his workplace struggles with his newfound status as a hero after he ends up stopping a shooting spree instead.

When 20-something-year-old Tanya begins to realize she’s asexual, the highly charged sexualized world she lives in as an actress and partner begins to fall apart and feels more and more like an unbearable nightmare.

Forced to confront the death of his daughter following a fatal encounter with drugs, ex-military soldier Andy becomes hell-bent on finding those responsible. With nothing to lose, a violent criminal underworld unravels in his wake.

Jones' inner demons threaten to take over her life unless she outruns the voices in her head and the ticking of time.

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

The moments before the violent physical attack of a mother by her anxious son.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

A hedonistic bachelor - he is his rich family's black sheep - falls for a suicidal mental patient.