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This film is what happens when Avant Garde and French farce with a mission meets Magic Surrealism. Babysitter opens with a completely frenetic energy that only eases later in those moments of self-reflection, for both ourselves and Nadine (played by Monia Chokri, the director). In between the wacky opening and the thought-provoking third act, the film is mostly farcical, high-speed comedy. The actors all do a great job. Babysitter is an AK-47 assault weapon with dead-on aim at misogyny, toxic masculinity, and all things male of the hidden insecurities variety type. Given it's style and subject, all designed to make us uncomfortable, this film is not for everyone. But if you really don't have any of those male insecurities to act out, Babysitter is politically incorrect and f-in' hilarious. And let's be honest, it's a rare opportunity to watch a politically incorrect film - just like in the old days.
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
While living separated, Mr. Kaski finds out that her wife has written a book about their marriage. And the book is not very flattering in tone towards Mr. Kaski and his abilities as a man.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
Germany director Dani Levy filmed this comedy about Jewish life in today’s Germany along side the familiar east-west conflict. With it great success this film is a joyful comedy of humor and knowledge.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
When a young woman fills in for her friend on a babysitting job, she begins to suspect things are not as they seem. She's right.