Twilight's Last Gleaming

A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police Department. He becomes an unlikely candidate recruited by a town council to become police chief of Paradise, MA, a small fishing town on Boston's North Shore. The board hopes his failed experience will keep him from digging too deep into the town's secrets. His first assignment is to investigate the murder of his predecessor whose death may be tied to a local domestic disturbance case, with connections to money laundering and murder involving some of the town's most affluent names as possible suspects.

Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow.

Thief Duke Anderson—just released from ten years in jail—takes up with his old girlfriend in her posh apartment block, and makes plans to rob the entire building. What he doesn't know is that his every move is being recorded on audio and video, although he is not the subject of any surveillance.

After spending two years in prison, framed for accepting a bribe, former newspaper reporter Harry Barber is released, bitter and disillusioned. Feeling like he were owed something for his loss of time, he proceeds to get himself involved in a simple kidnapping plot which turns out to be more complex than he imagined.

A big shot prosecutor Teodor Szacki divorces his wife and leaves Warsaw to “start a new life” in picturesque town in south­east Poland ­ Sandomierz. After a short while he is called in to investigate a strange and mysterious murder case. Alienated in provincial reality he struggles to find a killer, when he stumbles upon more victims. While the investigation continues he realizes that all murders are connected to alleged historical Jewish ritual killings. Those murders prompt a wave of anti­Semitic hysteria in the town. In his investigation Szacki must wrestle with the painful tangle of Polish­Jewish relations and real findings of his work ­ that roots of some legends arefantasy, not a grain of truth…

Starting a new job as a political journalist at a leading newspaper, Ulrik Torp witnesses a brutal struggle for power in the Midparty's ranks - a struggle that coincides with the charismatic party leader's involvement in a near fatal car accident. A flurry of lies and media speculation surrounds the incident. Gradually, Ulrik unearths a ruthless conspiracy involving the incumbent prime minister.

Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his drinking problem and this alcoholism causes him to lose his job, as well as his marriage.

A nuclear warhead launched by Soviet insurgents protesting the waning Cold War destroys the Ukrainian city of Donetsk. The destruction sets off a race between American and Soviet politicians to prevent a nuclear holocaust. While the U.S. president feverishly works to keep the military and political machine from going into overdrive, various subordinates panic. When the president is believed to be killed in a helicopter crash, zealous advisers take over.

When SAS Captain Peter Skellen is thrown out of the service for gross misconduct due to unnecessary violence and bullying, he is soon recruited by The People's Lobby, a fanatical group aiming to hold several US dignitaries hostage. But Skellen's dismissal is a front to enable him to get close to the terrorist group. Can he get close enough to stop the Lobby from creating an international incident?

A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints - not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.