Tendre et saignant

A director and his actress go to the Cannes Film Festival, looking for money to finance a movie they wrote. But an unexpected incident will disturb their quest…

Thomas Wiesel's comeback with a new show. After blowing away Romandy and every politician and personality natural to it, he makes way to Paris with a new target: himself. He opens up, complains (a lot), makes fun of himself, and, above all, tries to reassure you that: it's okay, promise. (translated from the French TMDB page.)

In a kingdom tormented by fashion crazes, a queen and her court must always keep up with the new trend. If not, an abominable monster will consume them: the Ridicule. But with the arrival of a disarmingly natural cowboy, this nation of fashion victims laughs, and a simple question arises: what if the Ridicule isn’t what we think?

Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.

Three days with Aèle.

Paris in summer. Maxime has a revelation: Camille, the pretty cashier at the supermarket no longer interests him. The problem is, he does not know how to tell her without hurting her. The other problem is that in fact he has never dared to speak to her.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Forced by the parents to be married, a young couple in Paris discover things about themselves as they mature through their romance together.

A group of young unemployed people from Le Mans (France) decide to create a new political party.

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.