¿Nos hablan los muertos?

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A detailed look at the history of horror anthology films.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

The extraordinary story of the Irish War of Independence (1919-22): from the failed insurrection of 1916, the detailed account of how pro-independence Ireland rebuilt a movement whose efforts would eventually lead to the creation of a new nation. (Documentary film based on the miniseries of the same title.)

A deceptively quiet park in the mist. Mysterious things are happening: a woman disappears, trees fall as if struck by a sudden weakness, and shots ring out. Surveillance cameras observe crows from unfamiliar perspectives. They are the protagonists here – it’s a well-known fact that they are among the most intelligent birds. The camera in their territory: is it a friend or an enemy? A commotion ensues, the crows move to attack. Or are we just imagining all this?

Twenty-five films from twenty-five European countries by twenty-five European directors.

After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).