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That movie was amazing !
Mantap di tunggu part 2 nya
Lot's of FX and no story. Flat characters and poorly told.
Best magical movie ever definitely my number two movie of all time number one being Armageddon.the four horsemen couldent have been played by better actors and actress.isla fisher is awesome.😃
The closer you think you are, the less you'll actually see. Now You See Me is directed by Louis Leterrier and collectively written by Ed Solomon, Boaz Yakin and Edward Ricourt. It stars Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Dave Franco, Mélanie Laurent, Morgan Freeman, Michael Caine and Michael Kelly. Music is by Brian Tyler and cinematography by Mitchell Amundsen and Larry Fong. An F.B.I. Agent and an Interpol Detective are tracking a team of illusionists who appear to be pulling off bank heists during their performances. Real magic? Or elaborate criminology?. We are in the realm of the fantastical, where illusions and impossible tricks reside. It's a nifty backdrop to this splendidly flashy slice of misdirection hokum. Our four magicians, each with their own personal skills - and calling themselves "The Four Horsemen" - enact a number of elaborate stage shows that has all members of the law baffled. Their rich benefactor played by Caine, is smug about his charges, Freeman is the myth buster trying to unearth the secrets of the "four", while the cops are constantly pulling their hair out. What does it all mean? How will it pan out at the end?. Well it's great fun, the tricks are expertly staged, the cast give gravitas to their respective characters, if only the big reveal at the end wasn't a bit too far out there... There's a bit of a steal and a nod to another heist caper film, while that finale can make or break your overall opinion of the piece. Yet the journey is so enjoyable and intriguing, it's kind of forgivable anyway... 8/10
**Now You See Me is a fun genre-mash-up with a fresh new take for heist film fans.** You have seen magician movies like The Prestige and The Illusionist. You have seen heist films like Ocean's Eleven and The Italian Job. Now You See Me decides to combine the genres and make money disappear with a little Abra Kadabra. This clever and fun film puts its robberies on center stage for the crowd to marvel at their magic shows, making their audiences believe it's all part of the show. A cast of up-and-coming stars like Dave Franco and Jesse Eisenberg are coupled with high-caliber Hollywood veterans like Morgan Freeman, Michael Caine, and Woody Harrelson. Great laughs, fun characters, and an exciting plot really do the trick for Now You See Me. There are some pretty major plot holes, but if you don't take a movie about magicians pulling off complex heists in public before crowds while being hunted by authorities too seriously, you will love this movie.
Now You See Me is a slick and entertaining heist thriller that blends magic with crime in a way that keeps you engaged from start to finish. The plot is well-paced, introducing its characters quickly but effectively, making sure each magician stands out with their own style. The mystery unfolds in a way that keeps you guessing, with some moments that feel genuinely clever and others that rely on misdirection. While the twist works, it feels like it was designed more for shock value than something deeply layered, but it still delivers on the fun factor. The directing does a solid job of balancing action with the illusion-based storytelling, making each trick feel larger than life. The cinematography leans into the sleek and stylish, using dynamic camera movements that enhance the sense of spectacle. There’s a good rhythm to the editing, making sure the pacing never drags, though some moments feel a little too quick, as if rushing to the next big trick. The sound design and score add to the energy, keeping the excitement high throughout. Acting-wise, the cast is strong, with Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco each bringing distinct personalities to the group. Mark Ruffalo plays his role well, though his character sometimes feels overshadowed by the magicians. Morgan Freeman and Michael Caine add weight to the film, though Freeman, as always, feels like he’s playing a version of himself. Mélanie Laurent is a welcome addition, though her role is somewhat underdeveloped. The script is sharp, filled with witty dialogue and a sense of mystery that works well for this type of film. While it may not be a deeply thought-provoking movie, it’s a stylish and enjoyable ride that keeps you entertained throughout.
Under the constant watch of The Eyes, Misha lives within an environment of constant fear and hypervigilance. They live this way until they are interrupted in their work one day when a creature in the old vent above their station drops fragments of an image that changes the world as Misha knows it.
Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.
A man who loves when a plan comes together, Col. Hannibal Smith leads a close-knit team of elite operatives and Iraq War veterans. Framed for a crime they didn't commit, Smith and his men, Capt. H.M. ‘Howling Mad’ Murdock , Sgt. Bosco ‘B.A.’ Baracus, and Lt. Templeton ‘Faceman’ Peck, break out and go rogue, using their special talents to clear their names and find the perpetrator. Hot on their trail is Capt. Charissa Sosa, who was once involved with a member of Smith's team and has sworn to capture them, no matter what it takes.
In a contemporary New York City, members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction.
Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she's taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he's in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they're each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge.
John Rosow drinks to forget. He is a former New York City cop turned Chicago-based private investigator. At the last minute, he is hired by someone he's never met to follow a middle-aged male subject on the soon-departing California Zephyr train to Los Angeles.
Two newly-appointed postal inspectors, Frank Marshall and 'Slim" Hewitt, set out to track down the sender of a time-bomb to a U. S. Senator and, during their investigation, run across a hooded organization that is terrorizing an American city. They also meet Don Foster, who is loud in his condemnation of the terrorists, and his sister, Nancy, who fears for her brother's life.
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal 'The Cannibal' Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.
Countless wiseguy films are spoofed in this film that centers on the neuroses and angst of a powerful Mafia racketeer who suffers from panic attacks. When Paul Vitti needs help dealing with his role in the "family," unlucky shrink Dr. Ben Sobel is given just days to resolve Vitti's emotional crisis and turn him into a happy, well-adjusted gangster.
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.