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This is a classic black and white spy thriller, thought of highly enough to be part of a national project to restore old films. The movie is entertaining, with a couple of departures from normal thrillers, I think (though I am not a follower of the genre). The bulk of the story is told from the perspective of the Germans, the enemy, as it were. It would be like the movie The Alamo being told from the perspective of Santa Anna’s Mexican army. Also, the ending is unusual compared to a modern thriller, where then good guy and bad guy usually square off and settle things in a climactic final scene. But they do produce a plot twist, the norm for any spy movie, and it works. It is a short movie, well under 90 minutes, and it moves right along. The lack of color adds to the atmosphere of the film. The script is fine. Oddly, several lines are delivered in German with no translation, but obviously nothing critical is left out because of it. You can sort of get what they must be saying and they are brief bits of dialogue. I wouldn’t go out of my way to watch this movie a second time, but I don’t regret the time spent watching it.
Valerie Hobson steals the show here in this dark, tense, wartime espionage drama about a German U-boat captain (Conrad Veidt) sent to the Orkney Islands in WWI to gather intelligence on the British Grand Fleet. Released at the start of the Second World War, this first outing for Powell/Pressberger delivers in a much more ominous tone than that of a mere piece of propaganda. There is a depth to the writing and a sinisterness to the story that is gripping for just shy of 90 minutes before culminating in the sort of "gallant" ending that I suspect would not have been considered appropriate five years later.
Joint montage of the first three silent films about Švejk: Good Soldier Švejk (1926, director: Karel Lamač), Švejk on the Front (1926, director Karel Lamač) and Švejk in Russian Captivity (1926, director: Svatopluk Innemann, model Karel Vaněk). The lead role was played by Karel Noll, who was very popular at the time. The last silent sequel Švejk v civilu (1927) exists independently, but the copy of the film is badly damaged.
This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
Four battle-weary American soldiers under fire reflect on the women they left behind.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
During the war two friends love the same nurse. After the war one becomes a detective, the other a racketeer.
A young Austrian soldier in World War I fights his way through the Alps to rescue his Italian girlfriend and escape the impending explosion that will rock the mountain.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.