Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
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Moana 2 2024 - Movies (Jan 27th)
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Mother Maker Lover Taker 2024 - Movies (Jan 27th)
Weekend in Taipei 2024 - Movies (Jan 27th)
September 5 2024 - Movies (Jan 26th)
Mummy Shark 2024 - Movies (Jan 26th)
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A Haunting in Council House 2024 - Movies (Jan 26th)
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Emmanuelle 2024 - Movies (Jan 25th)
Seoul Busters - (Oct 2nd)
Singles Inferno - (Jan 28th)
Great British Menu - (Jan 28th)
Horrors Greatest - (Jan 28th)
The Bachelor - (Jan 28th)
Raw - (Jan 28th)
Below Deck Sailing Yacht - (Jan 28th)
Paradise - (Jan 28th)
90 Day- The Last Resort Between the Sheets - (Jan 28th)
American Dad - (Jan 28th)
The Last Word with Lawrence ODonnell - (Jan 28th)
The Curious Case of... - (Jan 28th)
The Rachel Maddow Show - (Jan 28th)
The Yorkshire Auction House - (Jan 28th)
Maine Cabin Masters - (Jan 28th)
Baylen Out Loud - (Jan 28th)
NCIS - (Jan 28th)
Rescue- HI-Surf - (Jan 28th)
Inside with Jen Psaki - (Jan 28th)
Poppas House - (Jan 28th)
American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.
Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
This nature documentary follows some of the world’s most charismatic animals as they travel to Mexico across the span of a year. Using access to some of the country’s most protected sights, the film explores the relationship between family members as they battle to survive. Mixing moments of intimacy with fast-paced action, the film captures the epic scope of Mexico’s wildlife while it seeks to explain one of the most important themes of our era: migration.
A couple of artists travels through the Mexico desert to present their puppet show.
A dive into the intimate and creative universe of writer, screenwriter, and presenter Fernanda Young. The documentary takes an unconventional approach and becomes a poetic essay, using disruptive archive collages and visual and soundscapes of intimate moments. The film is also an invitation to reflect on creativity and artistic courage.
This PBS documentary explores depression, a debilitating disease that affects millions of Americans. Touching the lives of people from diverse backgrounds, depression still carries a stigma that causes some sufferers to go without treatment. Real people with depression talk about their experiences, and scientists offer commentary to shed light on the disease, including its diagnosis, treatment and current research.
Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.
Celia Pacquola is an award-winning actor and comedian. She also suffers from anxiety. She wants to help millions of Australians through their battle with anxiety by telling her story, challenging stigma and showing a way through it. She will meet those suffering from the condition, those on the road to recovery and those who are helping with the journey.
An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.