S.W.A.T. - (Feb 1st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Feb 1st)
Lets Make a Deal - (Feb 1st)
Cruising with Susan Calman - (Jan 31st)
The Last Leg - (Jan 31st)
Travel Man- 48 Hours in... - (Jan 31st)
The Last American Vagabond - (Jan 31st)
Deadline- White House - (Jan 31st)
Love Island- All Stars - (Jan 31st)
8 Out of 10 Cats Does Countdown - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Come Dine With Me- South Africa - (Jan 31st)
Richard Osmans House of Games - (Jan 31st)
Death in Paradise - (Jan 31st)
Four in a Bed - (Jan 31st)
Lingo - (Jan 31st)
Deal or No Deal - (Jan 31st)
Chris Jansing Reports - (Jan 31st)
Katy Tur Reports - (Jan 31st)
Penthouse Pandemonium. The Penthouse is written and directed by Peter Collinson and is an adaptation from the play The Meter Man by Scott Forbes. It stars Suzy Kendall, Terence Morgan, Tony Beckley, Norman Rodway and Martine Beswick. Music is by John Hawksworth and cinematography by Arthur Lavis. Alligators and Sharks Home invasion 1960s style. Story finds Kendall and Morgan as illicit lovers tormented by two deranged intruders in the penthouse apartment they use for their nights of passion. It's a five person play, well for the majority it's a four person production, and it's 99% set in a dimly lighted apartment. Narrative subjects our two hapless lovers to an hour and half of mental cruelty and sexual humiliation. The two main perpetrators, Tom (Beckley) and Dick (Rodway), are fascinating nutters, they are childlike in a chilling way, yet always they exude a sense of intelligence. They feed off of each other like some double-take twins, and always they have handy a deep meaning monologue or a philosophical justification for the black heart of the human being. Collinson does a grand job of keeping things claustrophobic, making sure the emotional discord and sense of menace haunts every frame. The camera zooms in and out of focus, something which proves to be a masterstroke for the sex scenes, while the various angles that the camera looks through during the course are suitably nightmarish. Originally Collinson was at pains to say his movie didn't have a message, but over the years the only thing consistent was his inconsistent viewpoint on the film. It's nigh on impossible not to seek out a message here, the film is just too odd-ball and unsavoury to not court a deeper meaning than the lazy "it's just a thriller" statement that Collinson trundled out upon pic's release. Pretentious? Absolutely, but this film has the ability to get under your skin, either in a good way to make you ponder, or to utterly irritate you. If someone said to me it's the worst film they have ever sat through, I would understand. Yet for me I felt challenged and uncomfortable, that's the medium of film doing a good job as far as I'm concerned. 7/10
An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's wealthy grandfather.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
Three young boys drunkenly rape a woman named Emiko, the wife of a man they've developed a friendship with. She dies of heart failure during the attack. Her chicken farmer husband, incapable of dealing with her death tends to her corpse as though it were still alive completely unable to accept her demise.
Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.
Four beautiful rivals at an invitation-only martial-arts tournament join forces against a sinister threat. Princess Kasumi is an aristocratic warrior trained by martial-arts masters. Tina Armstrong is a wrestling superstar. Helena Douglas is an athlete with a tragic past. Christie Allen earns her keep as a thief and an assassin-for-hire.
A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
U.S. Marshall John Kruger erases the identities of people enrolled in the Witness Protection Program. His current assignment is to protect Lee Cullen, who's uncovered evidence that the weapons manufacturer she works for has been selling to terrorist groups. When Kruger discovers that there's a corrupt agent within the program, he must guard his own life while trying to protect Lee's.
A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.