Tokyo Ride

Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.

Sacsayhuamán, an ancient citadel amidst the Peruvian Andes, is an architectural marvel. It was built more than 900 years ago, and no living person knows how such large rocks were fitted so perfectly into walls. This documentary takes us on a tour of Sacsayhuamán, offering a brief history of the site, and clues that may help to its understand how it was made. It was edited from photos and video taken in July 2012, when Russian geophysicists conducted soil research there, at the request of Peru's Ministry of Culture.

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Produced in 2004, Inspired by the book, Glory In A Snapshot A Photographic Look at Bedford-Stuyvesant, Bedford-Stuyvesant Beautiful is a video that gives you an insight into life in this historic community.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Inaugurated in 1986 by François Mitterrand, a link between the Louvre and Pompidou, Orsay houses the largest collection of Impressionist art in the world. Project after project, the museum has been transformed to modernize and welcome more visitors, while preserving its historic character. Challenges taken up with each new project.

Not many people know that there is in the center of Hong Kong, a city of 50,000 inhabitants that escape authority, a city which holds no law and no order, the ‘walled city’. Never before has a television crew been allowed to enter this labyrinth. Christa Wesemann, an Austrian documentary filmmaker, has achieved this for the first time. The recordings from the ‘walled city’ are breathtaking pictures, as it has never seen the world. The history and daily flow in Walled City are ruled by the ‘triad’, a Chinese crime syndicate.

“Gaudí, l’arquitecte de Déu” is a story of faith, of overcoming, about five lay that decided to create an assossiation to demonstrate that Gaudí deserves one of most valuable titles of the Church: beatification. The Pro-Beatification Association of Antoni Gaudí has been working more than 25 years to manage to beatify the architect of Reus, picking up all witnesses and proofs that demonstrate that Gaudi lived like a beatus and, the most difficult part, wiaiting for a miracle to happen attributed do Gaudí himself, an essential condition for his beatification. The documentary will follow this case, showing Gaudi’s life and work from a new outlook, more intimate and linked to spirituality and beliefs of the architect.

French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.

At the heart of the Central Train Station in Tel Aviv stands a grand piano. It watches over the traffic moving to and from the docks, seemingly hearing and seeing everything from its own point of view. For some, the piano is a regular stop on their commute. Others, occasional travelers, encounter it in this unexpected space, inviting them, subject to their will. There, in the most bustling place is a piano that makes people take off their earphones and take part in something magical that requires no words. The piano is unplugged, the people unplug. How many of those who sit and play manage to transcend the external noise, reflecting in a different and challenging way the reality we live in, allowing us to look into ourselves?