A Haunting in Council House 2024 - Movies (Jan 26th)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Agent Recon 2024 - Movies (Jan 26th)
Get Fast 2024 - Movies (Jan 26th)
Emmanuelle 2024 - Movies (Jan 25th)
Bystanders 2024 - Movies (Jan 25th)
The Killers Game 2024 - Movies (Jan 25th)
Inheritance 2024 - Movies (Jan 25th)
The Intruder 2024 - Movies (Jan 25th)
Oh Canada 2024 - Movies (Jan 24th)
The Loneliest Road 2024 - Movies (Jan 24th)
The Flight of Bryan 2024 - Movies (Jan 24th)
When Money Breaks FTX 2024 - Movies (Jan 24th)
My Divorce Party 2024 - Movies (Jan 24th)
The Sand Castle 2024 - Movies (Jan 24th)
Grafted 2024 - Movies (Jan 24th)
Werewolves 2024 - Movies (Jan 24th)
This Is the Tom Green Documentary 2025 - Movies (Jan 24th)
Star Trek Section 31 2025 - Movies (Jan 24th)
Presence 2025 - Movies (Jan 23rd)
Oceanfront Property Hunt - (Jan 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
On Patrol- Live - (Jan 26th)
Mayfair Witches - (Jan 26th)
Marketplace - (Jan 26th)
The Fifth Estate - (Jan 26th)
The Masked Singer- AfterMask - (Jan 26th)
Michael McIntyres Big Show - (Jan 26th)
The Weakest Link - (Jan 26th)
Since he took on the case in 2012, defending Julian Assange has put judge Baltasar Garzón's talent and ability to the test. They've won a few battles, but nobody knows how the war will end.
Examining the meaning and significance of the insights that WikiLeaks shared with the world, the resulting behaviour of the governments involved, the extraordinary personal risk taken by Assange, and the wider fundamental issues around press freedom that affect all of us and our right to know.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an elderly man’s fight to save his son. Arguably the world’s most famous political prisoner, WikiLeaks founder Julian Assange is a figure pretty much everybody has an opinion about; perhaps more importantly, he serves as the emblem of an international arm wrestle over freedom of journalism, government corruption and unpunished war crimes. For his family members who face the prospect of losing him forever to the abyss of the US justice system, however, this David-and-Goliath struggle is personal – and, with his health declining in a British maximum-security prison and American government prosecutors pulling out all the stops to extradite him, the clock is ticking.
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
Sigurdur Thordarson, known as Siggi, becomes a hacker at 12, exposing Icelandic bank corruption at 14. Branded the "teenage whistleblower," he joins WikiLeaks in 2010, mentored by Julian Assange. Siggi leaks globally, but clashes with Assange, prompting him to spy for the FBI at 18. This tale weaves paranoia, hacking, and friendship, portraying Siggi's turbulent journey from trust to betrayal, revealing a heart-wrenching coming-of-age narrative.
In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.
Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
What gifts have the gods given us, and how might we use them to weave a community? In San Pedro Amuzgos, Oaxaca, the director’s reflections and questions invite us into his world, where we learn the story of three threads in the communal loom: Lorenzo, Donato and Zoila.