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**Glenn Close shone in one of the most interesting films she's made in recent years.** Glenn Close is undoubtedly a great actress, with a lot of credit, even if she has terrible bad luck at the Oscars, with eight nominations and eight letdowns. I've seen several works that she really puts a lot of effort into, and this film is just one more. She had already played the same character on Broadway before, but this time in addition to being an actress, she was still dedicated to scriptwriting, production and other details. So, the film entirely bears the imprint of this great artist. Based on a fictional text, the film introduces us to a mature woman who, after a life of difficulties, decided to hide her gender and disguise herself as a man in order to work. So, Albert Nobbs is a shy and withdrawn woman who never lived a full life because of this lie. Her dream is to save enough to start her own business. He finally meets someone in a similar situation to her and gains the courage to woo Helen Dawes, a chambermaid at the same hotel where he works... but she's not entirely genuine in the way she lets herself be wooed. She has a boyfriend who is interested in Nobbs' savings. The film has an excellent initial premise and that works very well, but the truth is that the characters are too dense for a film that I would classify as a “light drama” given the inability to create a more tense and more serious atmosphere. To make things more difficult, the film is extremely slow and most of the characters don't evoke any sympathy, and they weren't particularly well-thought-out. The strongest point of the whole film is Close's enormous multipurpose exercise, who writes a song for the film, helps with the script, produces and still acts wonderfully. She gives Nobbs a typically British composure and sheer shyness that I thought suited the character. Mia Wasilowska does what she can and makes the most of her beauty and charm, but the character seems shallow and uninteresting. Aaron Johnson doesn't look bad to me either, but the truth is that he, like Pauline Collins and Janet McTeer, had almost no screen time. They are actors who have been set aside. Technically, the film has low-key production values and successfully seeks to set its story in the Dublin city of the late 19th century. The props, costumes and sets are what you would expect in a good movie. Cinematography is average, editing is not very good, dialogue is decent but not particularly good. The soundtrack has moments of quality and a lot of inspiration.
After a chance encounter, a Dubliner is stalked by a murderous facsimile of himself.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
After being discharged from a mental institution, a man is tasked by his mother to revive a struggling supermarket in Limoges. He must navigate unexpected responsibilities and the challenges of managing the store's staff.
A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.
This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.