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Simple story, well and gently told in Kaurismäki's characteristic style.
In the 2011 production LE HAVRE, the Finnish auteur Aki Kaurismäki steps away from his usual Helsinki setting for the first in what will be a trilogy of films in Western European port cities. Always rooting for the underdogs, Kaurismäki this time concentrates not just on the disenfranchised urban lower class, but on a socioeconomic strata arguably lower than them: illegal immigrants. Middle-aged shoeshiner Marcel (André Wilms), who lives in a run-down neighbourhood with loving wife Arletty (Kati Outinen) meets Idrissa (Blondin Miguel), a child who has found his way from Gabon to France inside a shipping container. Marcel decides to shelter the boy and see him on to England, his intended destination, but detective Monet (Jean-Pierre Darroussin) is on their heels. In spite of the French setting, this remains a very Finnish film in its sparse dialogue and deadpan humour. Kaurismäki yet again uses a very drab colour scheme and sets the film ostensibly in the present, but with cars, radios and rock music dating from the 1950s. Like nearly every film he has made, there is a musical performance by an oldies rock 'n' roll band, complete with pompadours and leather jackets. This is getting appallingly repetitive. Basically, if you've seen any two previous Kaurismäki films, then you'll find almost nothing new in the aesthetic and even the plot. That said, this is a more life-affirming film than his last, the absolutely bleak LÄHIKAUPINGIN VALOT of 2006. Kaurismäki is clearly concerned with the plight of those who would escape sub-Saharan Africa by any means necessary, and this leads the viewer to reflection, but his exposé of detention centres and police harrassment becomes heavy-handed at times.
When a dockworker hears some strange noises emanating from a box recently arrived from Gabon, he's maybe not so surprised to discover that it's cargo is human - and bound for London. Detained by the immigration officials, the young and nimble "Idrissa" (Blondin Miguel) manages to evade his captors and whilst in flight encounters the slightly down-at-heel "Marcel" (André Wilms). The older man takes pity on this nervous new arrival and takes him into his home whilst they decide what's best to do next. It's a small town community and pretty quickly just about everyone at the local pub knows who and where the youngster is, but instead of turning him in, they decide that maybe they can help him. He's no thief, nor malcontent - just a young man bewildered and personable. As "Marcel" begins to learn a little more of his new charge, he determines to try and help him make it to the UK - but with a grudging fifth-columnist amongst their friends and the determined "Insp. Monet" (Jean-Pierre Darroussin) on his trail, things are not going to be a simple case of jumping onto the Eurostar. "Marcel" has other emotional fish to fry, too, as his ailing wife languishes in an hospital facing a prognosis that we, the audience, appreciate but he does not, as yet, know. Choices have to be made and priorities established for everyone as time and circumstances close in. I found there to be a strong and effective dynamic between Wilms and the young Miguel here, and the sparing script allows the characters to breathe and us to observe their respective, and ultimately conjoined, predicaments as the lad struggles without any real roots. At times it has a slightly documentary-style look to it, which adds a little authenticity to the investigative aspects of the drama - a policeman who does his job efficiently, but does he relish it? It packs quite a bit of food for thought into ninety minutes, and does ask us a few questions about our own attitudes - "There but for the grace of God" sort of things. It doesn't attempt to deliver much by way of the relative merits of illegal immigration nor of heinous people trafficking, per se, but again we are presented with a canvas that's drawn by just about everyone - friend and foe - but not much by the young man himself.
Anything can happen during Christmas Eve. Mel has to face new professional challenges and adapt to the new standards prevailing at work. Then Karina and Stephan plan to introduce serious changes in raising children. They decide to change their approach and apply somewhat sophisticated educational methods. A new woman will step in between Karolina and Filip, and the past will be reminded of Rudolf.
Min-soo is about to get married when his fiancée suddenly admits that she is allergic to dogs. Now the guy's best friend, the golden retriever Rooney, needs a new family. With the help of his cousin and social media, Min-soo starts looking for a new home for Rooney.
Bingo, the runaway circus dog, is off the leash and saving Chuckie's life! Bingo and the boy become the best of friends in this canine comedy featuring doggy disguises and skateboarding, pinball and prison. Chuckie and his parents are moving house, a thousand miles away, but Bingo won't be allowed to join them.
Twelve friends spend one last great summer together, partying and reminiscing, ultimately realizing they will soon go their separate ways in life
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
Fearing that he costs too much to feed, Clifford decides to join a traveling carnival so he can enter a talent contest in hopes of winning a lifetime supply of Tummy Yummies treats. Joined by his friends Cleo and T-Bone, Clifford meets up with Shackleford the High-Flying Ferret and Rodrigo Chihuahua of Steel, as they work together to turn a broken-down act into a record-breaking show.
Maya Dolittle can talk to animals. She gets discovered and Tiffany Monaco, a Hollywood star, brings her to L.A. to help her little puppy, who turns out to be a boy.
Professors Vrooshka and Crump decide to visit an archaeological site to study the artifacts there. Lo and behold, it's right next to a caravan site where all manner of people are staying. With a randy Major owning the site, a snobbish mother, and the two professors' constant innuendos, the story ends with a sinking caravan site and a striptease performance as a replacement for the cabaret night.
Truck drivers Steve Hackett and Bill Purvis are fired from their jobs with the West Coast Trucking company for not using second-gear going down steep grades. Davis, the company vice-president, surprisingly asks them to carry a load of merchandise to Arrowhead and offers a $1000 bonus. He tells them it is a load of lettuce. Several miles out of Los Angelese, they are stopped by a mob of lettuce-farm workers on strike. When the first crate is tossed off the truck, it explodes and the two pals learn their merchandise is a cargo of dynamite. The workers let them proceed and they crash into a car driven by Mary Stevens, whom they had met at a restaurant. She and her dog, "Butch" (played by a Credited dog named Stooge), join them and they deliver their cargo, and learn unscrupulous real-estate operators have jammed the locks on the dam in order to ruin the ranchers and farmers and take over their property.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.