With Davy Crockett at the Fall of the Alamo

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

John Found, a well-educated American Indian, works as an interpreter on an army post in the West. Although John Lane, a post officer, loves Katie O'Day, a rancher's daughter, he becomes the amorous target of the widowed Mrs. Van Allen. To rid herself of Katie, Mrs. Van Allen starts a rumor that Lane has a wife in an insane asylum.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. Only a small fragment of this film survives.

Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A 1922 film directed by Frank Lloyd.

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, son of the Russian aristocracy. Alexis' father arranges a marriage of convenience between Alexis and Olga Karischeff, the daughter of the ambitious minister of police and attempts to shame Ilda at the betrothal celebration. Defiant, Ilda is whipped before the entire assembly. Alexis rushes in to rescue her and terminates his engagement to Olga. In retaliation, Karischeff sentences both Ilda and Alexis to ten years in Siberia as his last official act. The couple attempt to escape their Siberian captivity, are caught and face a firing squad until Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. The couple return home, and the penitent count finally grants them his blessings.

The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries.

Revolves around the noble and righteous king, Harishchandra, who first sacrifices his kingdom, followed by his wife and eventually his children to honor his promise to the sage Vishwamitra.