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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com This is my first viewing of a Madeleine Sims-Fewer - also the protagonist - and Dusty Mancinelli’s film. I added Violation to my Sundance’s schedule due to the macabre yet interesting premise, and I knew it wasn’t just another random rape-revenge movie. The first half clearly demonstrates how impactful and visually shocking Sims-Fewer and Mancinelli want their film to be, but the final act stretches the story a bit too far for my taste. Still, it’s a movie with an evident purpose that justifies all the cruelty with a traumatizing event that many women, unfortunately, have to deal with. From explicit male nudity - something quite rare - to the excruciatingly long takes, Adam Crosby’s lingering camera transforms already gruesome, vomit-inducing scenes into something even more difficult of keeping the eyes on the screen. I instinctively looked away in certain seconds. Miriam’s turn to the Dark Side is depicted in a slightly abrupt way, and her revenge takes an excessively ruthless path I struggle to accept as something remotely possible. Some actions just raise one too many questions that ultimately hurt the narrative for me. Despite the horrible event that changed her life, Sims-Fewer’s character isn’t exactly someone easy to root for since she wasn’t the best sister/wife way before that moment. Some character moments feel earned, while others are just violent for the sake of visual shock. Regarding the cast, everyone’s great, but Sims-Fewer delivers a powerful performance that left me feeling uneasy throughout the entire runtime. Technically, a final praise to Andrea Boccadoro’s score, which is incredibly ominous, contributing to the suspenseful, eerie atmosphere, but occasionally it’s just overwhelmingly distracting. Violation is one of the most visually shocking, gruesome, disgusting films I’ve seen in quite some time. Madeleine Sims-Fewer shares direction and writing credits with Dusty Mancinelli, but she also portrays a somewhat divisive protagonist. While I understand her reasons and absolutely despise what happens to her, she isn’t exactly an easy character to connect with or even root for. The narrative follows an extremely dark path of revenge, told through an interesting nonlinear storytelling structure. However, its setup is slightly rushed and developed beyond my limit of fictional logic and comprehension. Despite being excessively violent at times, most of the brutal scenes feel justified. I deeply appreciate the lingering cinematography and the ominous score. I recommend it to non-sensitive viewers who’d like a more meaningful take on the revenge subgenre. Rating: B
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries- and his fear.
The crew of an atomic submarine battle to save the world from global destruction.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives - all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.
Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse, but they find themselves running the gauntlet as other forces try to prevent them from getting there.