Vacarme

Cathy, 6, is taken by a social worker to a foster home in the countryside, where she slowly gets used to the strict rules imposed by her foster mother Réjeanne. Fortunately, her foster father, Reynald, is kind and gentle with the girl and patiently helps her break through her shell. Kayla, 12, is sent to a group home where she gets to know Morgane, a rebellious teenager who’s planning to run away. At about the same time, Manu is released from the system on the day she turns 18, but she finds it difficult to adjust to her solitary existence outside of the system. All four meet up at a reception honoring a foster family with whom they’ve all previously lived.

A direct, uncompromising look into the complex machinery of Quebec’s youth protection services (known as the DPJ). https://lustitia.com/en/productions/dpj/

Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.

The Mukherjee family's daughter, Maya, is engaged to Nanda but notices his growing attraction to Shukla. Maya convinces Shukla to help, and Shukla successfully reunites Maya and Nanda. However, Maya's mother dislikes Shukla. Shukla then falls in love with Maya's brother, Dilip, but faces opposition from Dilip's mother. Despite challenges, Shukla's love and sacrifice ultimately win over the family, uniting them.

A 1956 Bengali Drama Film directed by Chittaranjan Mitra.

The story revolves around Basanthi who is constantly criticized by her in-laws for being childless. Her husband believes that she is having an affair with his sister's husband and plans to kill her.

A former couple reunites after years of not seeing one another. They find themselves caught up in a whirlwind of emotions as they reconnect. The quaint reunion quickly turns into a rollercoaster ride of nostalgia, longing, and a strong desire to rekindle what they once had.

In this absurdist critique of our media landscape, a voice-over actress, a theatre group and a beginning director are carving their own way. About the pitfalls, the highs and deep lows of the creative process.