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Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Emilio strikes up a conversation with Jennifer in which he tells her about his afflictions about his life and his family, and then finds himself with a pleasant surprise for him, but with sadness for her.

Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.

True story of the lifelong romance between novelist Iris Murdoch and her husband John Bayley, from their student days through her battle with Alzheimer's disease.

This atypical romance stars two 70-plus actors playing elderly lovers who meet after they're widowed. Sparking controversy in Korea for its explicit sexuality, the film brings an unblinking eye to the portrayal of society's forgotten seniors.

Min-cheol goes down to the countryside to focus on the foundation project. He meets Gyu-ri, a scenario writer. They fall in love and spend a hot night together but the next day she disappears. Will he be able to find the 'perfect size'?

An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.

Two boys are becoming real adults during a turbulent time as they experience a world that doesn't go their way.

When a group of trespassing seniors swim in a pool containing alien cocoons, they find themselves energized with youthful vigor.

GU Chang-sik is a debt collector working day and night to reform Korea’s fiscal order and dreaming of becoming the ‘King of debt collecting’, so that he can earn a tremendous salary. Unfortunately, he is the last man in the race for three months in a row. One day he meets three debtors, which leads to the comedy of the film: KWAK Seon-ju, a young debtor who is struggling hard to raise a child alone; CHO Eul-sang, who goes bankrupt after his company collapsed but tries to keep his house for his soon-to-be-married daughter; and SHIM Su-gyo, who fails to get a job after graduating from a local university and falls into the private loan business.