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I loved the first television series of this gritty and challenging police drama. Sadly, now we have reached a nadir for this charismatic and unorthodox character. The story is so ridiculously far-fetched that it reminded me of something Mark Gatiss might have written for "Sherlock" before he watched "No Time To Die" (2021) and thought - nah! It all starts when youngster "Callum" is dragged away from his night-time cleaning job by a mysterious phone call. Next thing we know, "Luther" (Idris Elba) is at a crime scene with no sign of the boy but with a victim in her car that has been missing for ages. Enter the completely un-menacing "Robey" (Andy Serkis) and pretty soon our favourite policeman is incarcerated for a career of systematic rule-bending/breaking and this rather evil monster now proceeds to prove that evil can prevail - and on a fairly spectacular scale. This story is, frankly, preposterous and as the film lumbers along for over two ours I really struggled to remain engaged as it moved from suicide scenarios to far more brutal killings - but what, exactly, is motivating this man is anyone's guess. He appears to have acquired control over a vast network of technology and people to effect his dastardly plan but none of that even vaguely rings plausible. The last twenty minutes are just plain silly and overall, the writing is all rather poor: "They'll kill you John" - "I can live with that!" - not an hint of irony there, neither. This is a pretty shameless attempt to capitalise on a strong character made memorable by a charismatic actor and a series of solid stories. This film has thrown all of those under the snowplough.
Luther is, for my money, one of the best things to come out of the UK, in a long time. I was therefore more than a little cynical, when I spied a film adaptation of the obsessively watchable, series. To be frank, the back story is absurdly far fetched but somehow it "works". In essence, I'd describe it as a pastiche, of borrowed elements, from the series, that have been thrown together, in an inexplicable, crime mash up. Its cause is helped in no small part, by Idris Elba, whose talent outshines and out paces, this flawed tale. Elba breathes life into a story, that might not have fared so well, with a lesser actor, in the lead. In summary, the creative part of my brain enjoyed this, whilst the rational part sat back and shook its head. Yes, its utter nonsense but its really "good" nonsense, nonetheless. Give it a go....
Love the series, now I love the film. Took me way too long to get this watched, been on my immediate watchlist ever since its release well over a year ago; in fairness, I was avoiding Netflix due to their prices, but got a good deal with 'em atm. This is classed as a crime thriller and it certainly thrilled me, I had a great time with it. Really enjoyed seeing the story come together. Sometimes these sorta movies show 'the event' super early on and just drag out the cat and mouse 'when will they catch them' act for pretty much the whole run time. Now, don't get me wrong, of course it is a cat and mouse thing of sorts still, but I rate how there are events constantly throughout which keeps elevating the threat; the plot always felt fresh to me whilst viewing, which is a major plus. Given I'm a big fan of the television show that this follows, it is no surprise to say that Idris Elba is one of my favourite actors - the guy is phenomenal, I won't hear otherwise. He is fantastic all the way through 'Luther: The Fallen Sun'. Away from the lead, Andy Serkis is menacingly excellent, they sure made his character the worst of the worst! Cynthia Erivo and Dermot Crowley lead the rest very well. Give me that sequel!
Three underachieving students befriend Mitra from another class. They devise a plan to help her but it leads to various problems.
A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.
Fleeing New York City, a failed marriage and a fragile mental history, artist Robert Forrester moves to small-town Pennsylvania. There he becomes fascinated with the simple domesticity of a beautiful neighbor, watching her through the windows of her home -- until she invites him in for coffee. He is drawn into a relationship with the young woman whose boyfriend goes missing; Robert becomes a murder suspect, gradually sensing he is the target of a larger plot.
A young man who was sentenced to 7 years in prison for robbing a post office ends up spending 30 years in solitary confinement. During this time, his own personality is supplanted by his alter ego, Charles Bronson.
Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems. Carmen, a beautiful Spanish woman with a tendency to lose her temper at the drop of a hat, is about to be married to Barnaby, a caring, wealthy, but slightly boring Englishman. While out with friends on her 'hen night' she encounters a stranger who suddenly sparks a passion that has been sleeping within her. As her wedding date approaches, she finds herself struggling to put this newcomer out of her mind, but his effect on her keeps growing stronger. What is it that he sees in her, and why does she feel like she's being pushed inevitably into his arms?
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life - with the coldhearted Ginnie in tow - Arlis must deal with his past demons.
The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control.
When housewife Frances Hannon is abducted and buried alive, detective Madeline Foster is brought in. With only 24 hours before Frances' oxygen runs out, Madeline pursues the trail laid by a killer calling himself Harry Houdini. After capturing him, Madeline brings Harry back to the police station, but is unable to get him to confess where Frances is buried. As time runs down, Harry gets inside the head of unstable, alcoholic Madeline.
Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shonusuke, a radical set on murdering prominent politician Kurokawa and Christina, an American spy posing as a gambler.