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Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.
In this magnificently presented DVD CD, Niña Pastori performs the 12 songs on the album accompanied by her musicians, shot with five cameras by director Juan Estelrich with enormous sensitivity and quality. Setlist: 1.Principio 2.Espinas 3.Imposible 4.El Loco Del Barrio 5.En Tres Minutos 6.Puede Ser 7.La Cuna 8.Santo Romero 9.La Tata 10.En Los Rincones De Mi Casa 11.Como Me Duele 12.Final
Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy, and an old friend seeks retribution as Antonio had once stolen his girl.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
A flamenco dancer who grapples with stress and anxiety faces a critical decision point where she must choose whether surrender to her emotions or rise above them and take control.
An unforgettable concert performance by Diego El Sigala at the Gran Rex Theater in Buenos Aires in April 2011. The concert ended with thunderous applause, 3000 of the audience, filling the legendary theater. A special performance in which El Cigala and his Spanish and Argentinean fellow musicians interpreted the classics of the Argentinean repertoire, such as Las cuarenta, Sus ojos se cerraron and Tomo y limo, and contemporary works such as Garganta con arena, by Cacho Castagni. In addition, it contains four tracks that are not in the album: Tema de Amor, from the soundtrack to the Godfather), San Migueles, El Chorrito and Dos Gardenias.