National Christmas Tree Lighting 2024 - Movies (Dec 25th)
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Doctor Who - (Dec 25th)
The Last American Vagabond - (Dec 25th)
The Chase Australia - (Dec 25th)
Letters and Numbers - (Dec 25th)
The Chase - (Dec 25th)
Lets Make a Deal - (Dec 25th)
Richard Osmans House of Games - (Dec 25th)
Carols from Kings - (Dec 25th)
The Count of Monte Cristo - (Dec 25th)
The Great British Bake Off - (Dec 25th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
_**Solid Bond film with Timothy Dalton taking over as 007**_ "The Living Daylights" was the first of two James Bond films featuring Timothy Dalton as 007. It's a solid Bond flick, but rarely cited when the best films of the franchise are discussed. The "problem" isn't Dalton because he makes a fine James Bond and was what the series needed in 1987 (when the film was released). Although the Roger Moore era (1973-1985) is my favorite stretch of the franchise, mainly because they're so all-around entertaining, Roger was just too old in 1987 to continue in the role (he was 60 years-old). Plus I think everyone was craving a more serious Bond by 1987 and Dalton delivers the goods. There’s a lot of good in "The Living Daylights." It features a great opening sequence involving skydiving at the Rock of Gibraltar followed by a Jeep-going-down-the-mountain segment. The events switch to Bratislava, Slovakia (but shot in Vienna, Austria) where everything slows down to dramatic intrigue. A short while later there's a cool winter chase episode with Bond and his romantic interest (Maryam d'Abo) in a car with skis (also shot in Austria). The action-packed last act takes place in Afghanistan (but shot in Morocco and the Mojave Desert). This part of the movie increases in suspense as James and his babe try to get out of the country on a cargo plane, and the film still doesn't end at that point. This climax features three or four excellent suspense scenes and some funny quips as well. Unfortunately, the film is weak in the area of women. D'Abo is decent in a doe-eyed, winsome way, but her presence is never really capitalized on; she looks good in slacks though. Other than her, there are only brief flashes of women with no one particularly standing out, except maybe a blonde in white shorts. The cast also includes Joe Don Baker, Jeroen Krabbé, John Rhys-Davies and Andreas Wisniewski, mostly villains or possible villains. BOTTOM LINE: Although "The Living Daylights" is not a highlight of the series, it's still a worthwhile Bond flick with the usual staples, albeit shaky in the female department. Aside from Timothy Dalton, who makes a refreshing Bond, the opening and ending sequences are the best parts. The film runs 2 hours, 10 minutes. GRADE: B-
Great entry into the series and wonderful debut for Dalton who was charming, and for me far and away better than any of Roger Moore's movies (though found some of his to be entertaining enough). Not all that fond of this theme song but still catchy enough I suppose. Also features some great aerial stuntwork. **3.75/5**
So Roger Moore has handed the baton of Ian Fleming's "007" to Timothy Dalton and this first outing is not at all bad. The story is, perhaps, not the best but this is still an action packed adventure with loads of pyrotechnics and daft gadgets that really does move along swiftly for over two hours. "Bond" is assigned to aid would-be defector "Gen. Koskov" (Jeroen Krabbé) from Berlin, along the way encountering the lethal cellist "Kara" (Maryam d'Abo). A bit of fun with the no-nonsense Julie T. Wallace, a Harrier jump jet and and soon-to-be-trashed English stately home set a scene for the ensuing narrative that mixes perilous international espionage with glamour and plenty of entertainment. Blonde baddie Andreas Wisniewski must have done wonders for the sales of 501s, hammily megalomanic arms dealer Joe Don Baker likewise for the sale of toy soldiers and Desmond Llewelyn continues to provide our hero with plenty of imaginatively designed toys to help him escape from certain death! Art Malik is maybe not the most convincing as an Afghan freedom fighter, and I missed Lois Maxwell's few scenes as the love-struck "Moneypenny", but otherwise this is a thoroughly enjoyable piece of good-humoured and pacily directed cold war bravado. It does look better on a big screen - some of the cinematography, especially the aerial photography - lends itself well to a bigger screen and a bit of A-ha at the beginning sets it all off nicely. Not the best of the franchise, but it augers well for this new incarnation.
I don't understand all the hate on Dalton as 007, I actually thought he was a decent Bond, I thought he brought back some of the cold blooded assassin that personified the first of the Connery Era films. And I think he was a much needed change of pace away from Moore's silliness. However, I think some of the hate comes from the change of pace away from the silliness. You get used to things and a lot of people got used to Moore. But, then again, I was 7 when The Living Daylights came out, this was the first 007 movie I REMEMBER seeing in the theaters, and there is that special place in my heart for the cold blooded assassin style 007. And The Living Daylights is one of the last to have all the 007 tropes in it, the smoking, the harem, the stuff that defined 007 films before they started to move away from them in the 90s. This marks a return to the Dr. No, From Russia with Love, era of Bond, a move away from the silliness and... ... it has one of the best 007 cars, at least in my view. The Living Daylights still has the Aston Martin that I want... and, let's face it, he works with what is really the Taliban before the Taliban became the enemy of the west, when they were still fighting the Russians, and when the west was still taking their side in Afghanistan before the Soviets withdrew. So you kind of get a history lesson that really only people alive in the 80s remember.
The last of the very good 007 films. The last of the fun 007 films for sure. Here, Bond is supposed to stop an assassination of a Russian VIP defecting to the West, but Bond senses something, and instead of killing the assassin (a shapely female violinist), he shoots the weapon from her hand. Something is amiss about the defector, and it's obvious to the viewer, though perhaps not obvious to someone who is in the story. We get lots of great scenery, lots of action, lots of wit, and some great horse play, such as riding a violin case like a sled to escape bad guys. It's perhaps the most "fun" of the Bond films, and that deserves mentioning. After this movie, "fun" was apparently a four letter word to the Generation Xenophobe minded producers.
I also use to not like this that much and again I like it now but I do prefer Licence to Kill.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
A couple vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.