Dude Perfect: Backstage Pass

Documents the shifts in contemporary mainstream pornography and its influence on the sexual expectations and experiences of Australian young people.

"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).

In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.

In 2004, the Patriots won their first six games to set the NFL record for most consecutive victories, with 21. The streak was snapped at Pittsburgh in week 8 and in the game, New England lost for the season perennial Pro Bowl corner back Ty Law. With Troy Brown playing receiver and defensive back, New England would win all but one of their remaining games to complete one of the most dominating runs of all time. The Patriots once again proved their superiority in Super Bowl XXXIX with a 24-21 victory over the Philadelphia Eagles. By winning their 3rd title in 4 years, the new England Patriots have solidified their place in National Football League history as one of the game's great dynasties.

A documentary about nightwatchers in Recife middle-class buildings.

Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".

Artificial intelligence, capable of analyzing images from the cameras saturating public spaces, is transforming surveillance. This technology will secure the Paris Olympics this summer, but legislation lags behind its limitless potential. Facial recognition software, already used to identify war criminals in Ukraine and Capitol attackers in the U.S., raises concerns about privacy as powerful algorithms and questionable companies push boundaries.

Hyjnesha në Fron traces an endlessly expanding echo in the present void - a haunting sound of rhythmical distortion, stretching over excavated images. A search but also a starting point: For demanding historical spaces filled with objects and people whose sudden reoccurring make the entanglement of absence and violence hauntingly concrete.

A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve created there.

Australian newsreel, telling of the besieged Australian forces in Tobruk. Coverage shows dawn patrols, wrecks in Tobruk Harbour, tank patrols, anti-aircraft action against German planes, gun barrages, etc. also seen is the grave of first Australian VC (Victoria Cross) Corporal Edmondson and his mother at home holding the award.

A compilation of some of the Super-8 materials shot by Jorge Bodanzky during the Brazilian military dictatorship, blending domestic footage, experiments with the cinematographic medium, and the traces, in an amateur format, of some of his thematic and stylistic obsessions.