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We are all just numbers here. The Last Mile is directed by Samuel Bischoff and adapted to screenplay by Seton Miller from the John Wexley play of the same name. It stars Preston Foster, Howard Phillips, George Stone, Noel Madison and Adam Roscoe. Music is by Val Burton and cinematography by Arthur Edeson. Interesting watching this pic these days to note just how much set in stone the formula is even today. All of the staples of the prison based dramas are right here in 1932, and of course the thematic beats of anti capital punishment still bang loud as much today as they did back then. Reprieve! Reprieve! The Last Mile in production is very much of its time, the stage origins not really leaving us as this is essentially a one set production. The acting ranges from excitable overacting to non credible characterisations. It's also a touch irritating that the key element for our main man Dick Walters (Phillips), the flashback to why he was sentenced to death, is played too early in the piece. And yet there's a power in the drama that lures you in, keeps you right there in the confines of death row. From a photographic stand point it looks terrific, Edeson's (They Drive by Night/Casablanca/The Maltese Falcon) monochrome lensing is perfectly moody. Holding court in the acting stakes is Foster, who is right at home playing the angry alpha male, it's the plum role and the one with the dramatic swagger. It was a busy year for Foster with 7 releases! Including the brilliant I Am a Fugitive from a Chain Gang. Not a great film but it's above average, and important in a number of ways as regards the history of genre cinema. While as a time capsule it remains a fascinating venture. 6/10
A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
This be the year 3000. The world has been enveloped within the flames of nuclear warfare, bringing with it a new dark age. In these times, technology can be a rare blessing, or curse, depending on its discovery and / or use. What is left of civilization, of humanity, has been reduced to numerous city states, each fighting to survive the wars between them , as well as from within. This tale takes place after a vile war between two Houses both like in dignity, in what is left of fair Verona. The House of Capulet has claimed victory and believes to have extinguished all within The House of Montague, yet one still lives. This be not the story of star-crossed lovers, but of Romeo, last of the Montague. A cyborg who seeks love, and revenge...
A couple of smugglers don't know what to do when one day their boss gives them a kidnapping job.
Russian inmate Boyka, now severely hobbled by the knee injury suffered at the end of Undisputed 2. No longer the feared prison fighter he was, he has declined so far that he is now good only for cleaning toilets. But when a new prison fight tournament begins - an international affair, matching the best fighters from prisons around the globe, enticing them with the promise of freedom for the winner - Boyka must reclaim his dignity and fight for his position in the tournament.
There is no honor without truth. When gang wars spin out of control in downtown Washington D.C., one man steps onto the battlefirld to hunt down a ruthless killer. A young man has been released from prison and is determined to build a new life for himself. Unfortunately, without any prospects in sight, he gets lured back into the only world he knows....crime. He gets in touch with his former best friend who has since "made it big" as a drug dealer during his time in prison. But what starts out as a partnership which promises to get them both out of the projects, soon turns rotten as money comes between the two. As loyalties are divided, anger and violence erupt... destroying anyone who gets in the way. Innocent victims get caught in the crossfire and its up to one man, Police Lieutenet Redding (Morgan Freeman) to take matters into his own hands and stop the needless deaths before it's too late.
A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.
Set in a small room, an adolescent woman experiences synesthesia. While she stares at half filled glasses on the table sound replaces her gaze. Harmonic tones exude and induce a trance like state over the woman. Her meditative harmonies are disrupted when an ominous character arrives with the intent to ingest the song. After consuming the beauty the dark character leaves. Left alone, the adolescent woman employs thaumaturgy to lure her song back to life again.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.