Anora 2024 - Movies (Mar 10th)
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Shark Exorcist 2 Unholy Waters 2024 - Movies (Mar 10th)
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WWE Raw Classics - (Mar 11th)
Extracted - (Mar 11th)
Below Deck Down Under - (Mar 11th)
90 Day- The Last Resort Between the Sheets - (Mar 11th)
Geordie Stories- Charlottes New Baby - (Mar 11th)
My Pet Ate What - (Mar 11th)
Rogue Claimers - (Mar 11th)
The Yorkshire Auction House - (Mar 11th)
Ultimate Police Interceptors - (Mar 11th)
Celebrity IOU - (Mar 11th)
Contraband- Seized at the Border - (Mar 11th)
Maine Cabin Masters - (Mar 11th)
Rescue- HI-Surf - (Mar 11th)
The Hunting Party - (Mar 11th)
The Beat with Ari Melber - (Mar 11th)
Inside with Jen Psaki - (Mar 11th)
The Rachel Maddow Show - (Mar 11th)
The Last Word with Lawrence ODonnell - (Mar 11th)
Baylen Out Loud - (Mar 11th)
Death by Fame - (Mar 11th)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.
Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.
This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to cultural movement.
From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982-singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.
The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.
Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.