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The Spirit of Satan. Crescendo is directed by Alan Gibson and written by Alfred Shaughnessy and Jimmy Sangster. It stars Stefanie Powers, James Olson, Margaretta Scott, Jane Lapotaire and Joss Ackland. Music is by Malcolm Williamson and cinematography by Paul Beeson. Susan Roberts (Powers) travels to the South of France to stay with the Ryman family as she researches the work of late composer Henry Ryman for her thesis. Once there at the villa, Susan finds that the remaining family members are a little strange… Out of Hammer Films, Crescendo came at the end of the studio’s cycle of psycho-thrillers that had begun so magnificently with Taste of Fear in 1961. Filmed in Technicolor, Crescendo has more than a passing resemblance to Taste of Fear. We are in a remote French villa in the company of some shifty characters. A wheelchair features prominently, there’s spooky goings on, skeletons in the closet and our lead lady who is the outsider at the villa is in grave danger. So it’s Taste of Fear but in colour then! Crescendo is not a great film, it’s ponderously paced by Gibson, meandering through the first half set up and it’s all a bit too obvious as to what is going to unravel. That said, the finale is a good pay off in its construction, the Ryman villa set is suitably designed for some creepy shenanigans, while the colour photography is deliciously lurid with the zesty oranges and ocean greens particularly striking the requisite campo composition. Then there’s the cast! Powers is just dandy, having had her trial run in the disappointing Die! Die! My Darling! in 1965, she hits the required “woman in confused peril” notes even though the script does her absolutely no favours. Olson gets to don the worst hair cut in Hammer history as Georges, but the character is pungent with emotional disturbances. Wheelchair bound and having a penchant for hard drugs administered by the sultry maid… Ah yes! Lapotaire as the housemaid Lillianne, she steams up the screen with her teasing sexuality, positively revelling in her ability to have poor Georges eating out of her hand. Scott handles the batty Ryman matriarch well enough, while Ackland does a damn fine Lurch impression. The film has some qualities that put it above average, but it’s a bit too bloodless to be a must see horror film, and much too laborious to be a thriller. It sits in some sort of Hammer Film purgatory, a picture that asks you to take the rough with the smooth. But all things considered, you probably should watch Taste of Fear instead. 6/10
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
Steve Clark is a newcomer in the town of Cradle Bay, and he quickly realizes that there's something odd about his high school classmates. The clique known as the "Blue Ribbons" are the eerie embodiment of academic excellence and clean living. But, like the rest of the town, they're a little too perfect. When Steve's rebellious friend Gavin mysteriously joins their ranks, Steve searches for the truth with fellow misfit Rachel.
Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
Rookie cop Megan Turner orders a burglar to drop his gun. He whirls to shoot. Too late. Turner fires, killing him instantly. When someone lifts the assailant's gun from the crime scene, the police hold Turner accountable for killing an unarmed man. That same someone carves Turner's name into the bullets and uses them in a series of murders. Turner teams up with detective Nick Mann to clear her name and catch the killer. But she is drawn into a deadly game of wits with a psychopath who's always one step ahead… and much closer than she thinks!