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I was excited to see Bryan Bertino's latest offering. "The Strangers" was an interesting classic introducing masked home invaders in the most unsettling of ways. "The Monster" was a better-than-expected as an estranged mother and daughter are stranded in their car in the woods while being stalked by a monster. "Wicked's" Rotten Tomatoes/Metacritic score was a solid (90%/72) and user reviews were ok (3.2 on IMDB). But for me, it fell completely flat as I kept waiting for something to connect the disparate disturbing scenes and story-line together. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural that is haunting everybody but beyond some gory and violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
I was excited to check out Bryan Bertino's latest offering, "The Dark and the WIcked." His debut, "The Strangers," was an instant classic introducing masked home invaders in the most unsettling of ways. His followup, "The Monster," was well-crafted as an estranged mother and daughter get stranded in their car in the woods while being stalked by a monster. It was ultimately disappointing as there was nothing to connect the disparate creepy happenings to the story-line. Many movies try to tease the viewer with unreliable narrators, leaving them to ponder whether what is happening is supernatural or all in the characters head. "The Babadook," "Black Swan," and "The Lighthouse" are examples of movies that do this right. Unfortunately, this doesn't. It's clearly something supernatural haunting everybody, but beyond some disturbing and/or violent scenes (all of which are well done), the movie is just too ambiguous in a very frustrating way.
The scariest new film that I've seen in 2020, 'The Dark and the Wicked' is well-crafted, moodily evocative, and best watched through one's fingers. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-dark-and-the-wicked-2020s-scariest-film
> _loved this one_ let's start with the poster. I expected some red vibes like from "_evil dead_" something. but turns out, it's showed a _dark sepia tone_ which works. it's been a while since I was gasped and terrified for a horror movie. the sound and music are effective. I mean, this horror built by this sound. not like a creepy orchestra, but a chaotic chromatic sound. _beautiful and terrifying._ my interpretation is we should learn to let go of our loved ones. when the priest said: > "the devil is already here" yes, it's there because you still cling to your loved ones. to let go is not to deny but to accept. to let go is to fear less and love more. I'm sorry if you find this overanalyze.
The film is all about madness at best. Main characters lose their mind and we watch their hallucinations. All the religious references in the film leads to nowhere. The film has a few good jump scares and quite a good beginning which makes you think the rest of the film is going to get somewhere. Unfortunately it doesn’t. **I wouldn’t watch it again, nor would I make my friends watch it**.
An ex-prisoner moves to an old apartment, where one gets to see in the middle of a domestic problem between a police officer, his wife and his daughter. When he tries to intervene, he will be caught in a mysterious curse.
Two deranged friends bring along another guy to go on a random murder rampage. They kidnap lesbian lovers and couples and torture them.
The local sheriff of Dead River, Maine, thought he had killed them off ten years ago - a primitive, cave-dwelling tribe of cannibalistic savages. But somehow the clan survived. To breed. To hunt. To kill and eat. And now the peaceful residents of this isolated town are fighting for their lives...
A woman seemingly dies of fright after participating in a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell and must be sealed by All Saints Day, or else the dead will overtake humanity.
A violent fugitive on the run from the law makes his way from Hong Kong to South Africa, where he discovers that he's immune to the Ebola virus, and later returns home to spread the deadly disease.
When partygoers at a deserted funeral home decide to have a séance on Halloween night, they awaken something evil with a thirst for blood.
Barricaded in a farmhouse, a woman and a collegian must contend with flesh-eating zombies and a malevolent mortician.
After losing his mother and sister, Thomas plans to resign as a priest but is tasked with assisting exorcist Rendra. Together, they confront demons possessing Kayla, his late sister's friend, while her mother Maya battles a haunting past.
In 1815 a monk, Tomas Alcala, unwittingly unleashes two female succubi, Munkar and Nakir, upon an unsuspecting 21st century. He is chosen by God to travel through the centuries and stop the demons' rampage.
To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn't even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important - the strength within oneself.