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FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-inventor-review-too-generic-yet-still-satisfying/ "The Inventor cannot escape its script's creative limitations and generic messages, but it remains a somewhat interesting viewing, full of humorous moments and pure audiovisual beauty. The fantastic stop-motion animation stands out, but the 2D sequences are just as, if not more, captivating. Alex Mandel's score is crucial to the film's entertainment levels, along with the vocal performances of the cast, especially Stephen Fry as Leonardo da Vinci. Apart from a few more sound mixing problems, Jim Capobianco doesn't disappoint, but I'll be waiting for a deeper, more memorable sophomore feature film." Rating: B-
I was quite nervous at the start here when I saw how many production companies were involved - it looked like a recipe for a mess. Well it isn't. It's certainly an amalgam of animated styles featuring everything from flat 2-D drawing to complex technical sketching and some stop-motion characterisations that really worked quite quirkily. It's the briefest of potted histories of the life of Leonardo da Vinci. We start in Rome where his sponsor - Cardinal de Medici - is constantly firefighting for him with Pope Leo X who wants him to do something a little more useful, and not dissect dead bodies in the middle of the night! It's that latter habit that sees him flee to the relative safety of King Francis I of France. The King wants the maestro to build him a castle, or a new city, or some fancy weapons - or probably all of the above. Leonardo doesn't really react well to commissions though, and soon his new benefactor is also beginning to lose his patience. Luckily, he has the princess Marguerite in his corner, and gradually the grudging support of their mother, the Queen. It can look a bit disjointed at times, the art is frequently quite contrasting - but that just makes the whole proposition a little more interesting and innovative. The drawings reminded me a little of the opening titles to Tom Riley's "Da Vinci's Demons" television drama - and the narrative emphasises quite engagingly the visionary nature of a man who quite literally walked a fine line between science, religion and a bonfire! It's probably twenty minutes too long, but once we get going there is plenty of imaginative action to keep it watchable.
On a night out with the lads, one individual decides that there is more to socializing than mere face value.
Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
When an old castle needs repairs, it's time to call Bob the Builder! Unfortunately a case of mistaken identity puts Bob's father in charge, resulting in one disaster after another! Meanwhile, tales of Camelot inspire Bob's noble crew of machines - Sir Lift-A-Sot, Sir Roll-A-Lot and Lady Mix-A-Lot - in their quest to get the job done. And Sir Spud-A-Lot finds a suit of armor and a fiery steed almost perfect for jousting! Back at the castle, Bob's father is a bit of a royal pain, locking himself and Bob in the dungeon and then finding himself mysteriously trapped in a maze! Finally, a medieval pageant celebrates the grand opening of the castle and a great father-son relationship.
When Agnès Varda was preparing the film Jacquot de Nantes in 1990, she was able to shoot in the small apartment where Jacques was raised. While emptying the attic, Agnès found pieces of 9.5 mm film, dry and folded, almost broken and two small cardboard figures. The film was impossible to project and the film had to be remade. Showing the pieces of film to Jacques he immediately identified La Ballerine. A student from the Fine Arts School of Nantes therefore redrew each shot, frame by frame, on blank 16 mm film.
Winterbolt is trying to make the North Pole his evil wonderland, and it is up to Frosty the Snowman, Rudolph the Red-Nosed Reindeer and others to stop him.
arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles
An imaginary world comes to life in a holiday tale of an eccentric toymaker, his adventurous granddaughter, and a magical invention that has the power to change their lives forever.
After hearing someone's "meow" for the first time in his life, baby puppy goes in search of the unknown beast and meets various inhabitants of the house and yard. On children's curiosity and the first acquaintance with the world.
An animated opera version of "Goldfish". In this modernised version of the fairy tale of the Goldilocks, everything is absurdly modern - turned upside down. It's the story of a man who lives underwater and a fish who lives above the water in the air and can grant people's wishes. The man catches the fish and starts wanting all sorts of things, but...
Life can arise anywhere, nature behaves strangely and days can last for minutes. Although everything is familiar to us, nothing is what it seems in this place. The cycle of life seen from a different perspective.
A queer stop-motion animation live-action hybrid film following four women in a surrealist parallel narrative unconstricted to heteronormative space and time.