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Duniya Soori's Tagaru takes us on a bloody ride through the dark underbelly of the underworld and their clash against the police.
Raju, a village boy goes to Bangalore in search for a job and finds different meanings to life while dealing with hurdles that the city puts him through.
An 80-year-old widow with extra-sensory perceptions can see the history behind the objects she touches, through which she comments on evolution of culture, concepts of God, religion, relationships, humans and their sexuality, etc.
In Kasargodu, Kerala is a normal school until a big problem comes in its way.
The film delves into the aspirations and values of today's youth, who would go to any length to achieve their dreams. As the saying goes, the greatest journey is the one within.
Hacchi is an orphan who lives in a slum and works for a gangster. Trouble ensues when he tries to change himself for the woman he loves, while his employer's daughter also falls in love with him.
Based on the novel of same name by K. Shivaram Karanth. Sarasamma, a woman who lost her life in the practice of Sati, is worshiped by women in troubled relationships. The movie shows the stories centered to these women and societal issues faced by them.
When a man goes to his grandmother's village, he falls in love with a beautiful girl. However, a notorious criminal lusts over her and begins meddling with her life.
“The film IEL is essentially a social commentary, with a generous serving of humour. However, certainly not slapstick but the kind of humour the viewer has to derive himself with its own set of idiosyncrasies. My attempt is to represent serious topics in the garb of comedy, which makes them more digestible"
Three Families heal each other, while they spend their most difficult times with Strangers
Manja and Ravi, two dalit kids live in a tiny village in the western ghats. Vaasudeva, a kid from an orthodox brahmin family wants to be friends with them. This leaves Manja and Ravi in a conflict with their daily lives.