Scars of Jealousy

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them…

The children of a household attempt to capture Santa, but they catch something else entirely.

June, a young orphan, is befriended by Perry Bascom when he shares his lunch with her on the road to Rising Sun. They soon fall in love and marry, only to find out that a woman in Perry's past has come to town to make trouble. Teaming up with the local political bully, the schemers set out to make Perry's life miserable, but June sticks by her husband to the end.

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

John Logan leaves his parents and sweetheart in bucolic Happy Valley to make his fortune in the city. Those he left behind become miserable and beleaguered in his absence, but after several years he returns, a wealthy man. But his embittered father, not recognizing him for who he is, plans to murder the newly-arrived "stranger" for his money.

Falacha is the captain of a fishing boat, who loses his men in a shipwreck. Among them was the husband of Aurélia, who holds Falacha responsible for the tragedy. Maria, Falacha's daughter, falls in love with Manuel, Aurélia's son, a situation that their mothers refuse to accept.

A bear tamer is hired by a traveling circus and soon gets married to a snake charmer. Not long after the wedding, the snake charmer gets involved in a variety show, and to the bear tamer’s horror, one evening he watches how she’s seduced by a rich man who takes her home. Luckily, he has a furry, faithful squire who’s always ready to step in. (Stumfilm.dk)

Henry, the pagan son of a white father and native mother, has inherited land and a store, but he prefers the simple life. When he falls in love with a native girl, her guardian, who is trying to bring her up as a 'proper' Christian, but who also lusts after her himself, plots to keep them apart.

The film tries to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff, who loses his mind in view of catastrophies and social disturbances; teacher John, who is the hero of the masses; and Marja who turns into a radical revolutionary.

Militis, a sailor, returns to a bar where he finds Sarah, the girl he once loved and is still attracted to. However, he is now married to an exotic woman who took care of him during an illness.

"La Commune" ( The Commune ) (1914) is a good example of Herr Guerra's peculiarities. It was produced by "Cinéma Du Peuple" ( People's Cinema ), a film cooperative supported by workers, and depicts the beginnings of the Commune of Paris, that working class uprising that briefly ruled and caused a mess during two months in the city of Paris in the year of 1871.