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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
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Gogglebox - (Mar 28th)
The characters and their interactions aren't interesting, the direction's flat, and the story fails to build or maintain tension or momentum, so the audience's interest is neither captured nor kept. There are one or two steamy sex scenes (and I appreciated the use of what I assume is a prosthetic dildo in the blowjob scenes) but the rest of the movie's filler. There is budget softcore stuff that's both titillating and mildly entertaining on a narrative level. This is 95% neither. This is 95% bleh.
The fuck? (pardon the pun) It's actually impressive how diabolically terrible '365 Days' is. I had heard small details about how sexual this was but hadn't seen anything about the film's other aspects. Now I know why, there aren't any. It's just one big illicit romp with practically nothing holding it together, a cynic would say this is Netflix just getting pornography on their platform through the back door (pardon the p... nevermind). The worse part about this is the glorification of sexual violence, whether it be kidnapping or even - startlingly - rape. How the plot plays out is actually extraordinary - it turns out THIS is the way into a would-be lover's heart... who knew?! It's crazy. You could argue it's a sexually explicit retelling of 'Beauty and the Beast', but that's an argument for another day. They could've done this without the aforementioned and still got the same vibe out of the film, it's bizarre why they choose to go down this direction. You can make characters hate each other before jumping into bed together, you simply do not need the criminality aspect. If I were to offer minor solaces of 'praise' about this 'film': the music (random Mabel is random) and the end scene, which is well shot.
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
Porn quality without getting to see actual porn... Poor acting, poor dialogues, poor story, only the photography passable.
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
When Scott and Teresa LeRette learn that their son Austin is both autistic and has brittle bone disease, they initially worry for their son’s future. But with Scott’s growing faith and Austin’s incredible spirit, they become 'unbreakable', finding joy, gratitude, and courage even in the most trying times.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Five different criminals face imminent death after botching a job quite badly.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.