Grand Central Murder

Millicent Howard, whose appearance and persona bring her a life of luxury. A millionaire named Claverhouse asks her to marry, but she values love more than wealth, and she sacrifices everything for another man, who is less wealthy, Jerry Booth.

Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.

As their small Midwestern town prepares for its annual Christmas Eve parade, a sheriff and his deputy discover that a maniac in a Santa suit is murdering those he judges as naughty.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Detective Mater is hot on the trail of a dastardly car-napping! When Tia's sister goes missing, Mater is the only car she can turn to. With this tow truck on the case, anything can happen.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

Peter and Delilah are a married couple running a roadside café in Nevada. Their stable partnership turns rocky, though, with the arrival of the sultry Sally, a waitress who catches Peter's wandering eye. Delilah strikes back by hiring Sally's boyfriend as a waiter. Sally is initially dismissive of Peter's advances, but when he wins $40,000 in a lottery, she quickly pounces, turning on the charm and eyeing the easy life.

A boy and girl, a hot July day, a railway station, an encounter.

Two telephone repairmen have many adventures and romance a pair of blondes.

A San Francisco private eye finds himself under suspicion while investigating a prizefighter's murder.