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I generally enjoyed this film - based on the 'true/shocking' revelations of a (French) female university student who turned to the world's oldest profession to help finance her way thru school. It is, perhaps, the 'expose' angle of the movie that slants the general tenor of the piece towards a negative vibe - as the viewer is introduced to the story's lead character, Laura, and follows her down a path of personal denigration as she barters her youthful body for some spending cash & millennial trinkets. The 'shock value' of the source book from which the screenplay was derived is based on the (purported) 'epidemic' levels of prostitution engaged in by female college students to make ends meet - so it is not surprising that the director has seemingly gone out of their way to make sure that the sexual 'pay for play' activities of the film's star are not made to look 'enjoyable'. In this, at least, they have managed to succeed! The lead actress, Deborah Francois, IS lovely - in just the right way to provide a vulnerable heroine for the sordid tale... and she sure doesn't appear to like what she's doing in the sexual realm - so much so - that after a while I found the plot to become rather disingenuous and dis-engaging. Despite many scenes where Ms Francois fully reveals her attractive body and participates in sexual congress with a variety of sorta 'flawed' male individuals - there is nothing arousing about any of it. Could the girl be any more 'bored' & repulsed?! It really makes one wonder why her one repeat customer 'Joe' keeps coming back for more... or why she sticks it out for as long as she does. Without treading into the politically/morally dicey territory surrounding the whole issue of prostitution - I felt that this film presents a sort of mono-dimensional and moralistic take on the situation. Some reviewers compare 'Student Services' to the likes of "Pretty Woman" and extol its' virtues for presenting a more 'realistic' portrayal of the disagreeable aspects of prostitution - personally I might suggest that a more relevant comparison could be to the cable TV series "Diary of A Call Girl" based on the 'true' adventures of London escort (AND student!) Belle de Jour. 'Belle' also exhibits a 'conflicted' character in trying to reconcile the two sides of her life in the face of society's general disdain for sex workers - but she, at least, takes 'some' pleasure in her craft, and on occasion even finds her sexual skills to be of 'service' in helping individuals overcome personal problems. Admittedly, the 'clients' that Laura encounters in "Student Services" are portrayed as a particularly loutish lot - but 'where's the love'?! Ultimately I began to sympathize w/ her self loathing and sorta lost interest in the 'story' - such as it was. There are obviously 'bigger issues' of youth poverty and socioeconomic inequality at play - but none of them get meaningfully addressed/answered in this film. On a strictly prurient level - worth a look for the fetching form of Ms Francois in the buff - but nothing to get too excited about.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
