Morphine and Dolly Mixtures

Madge Garvey (Dorothy Phillips) works in a shoe factory. Her father Joe (Richard de la Reno) is a drunk who beats his wife (Alice May Youss), and her sister Helen (Belle Bennett) has repeated the pattern by marrying Dan Mallory (Edward Brady). The new foreman, John Blake (William Stowell), fires Mallory. Mallory attacks him, but because of his alcohol abuse, his heart gives out and he dies. Blake asks Joe for Madge's hand, and he accepts for her. Madge longs for something better, when Cora, a former stenographer from the company (Golda Madden), writes her from the big city.

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.

When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.

After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.

The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.

Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.