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So I wanted to watch an early film of Miranda Otto's and came across this one from 1996. It had a really good pedigree, winning the Caméra d'Or at Cannes that year, so I settled down. It follows (at a slow pace), a three-times divorced radio DJ ("Ken Sherry", unabashed Barry White fan) who moves to a small rural town in Australia. He moves in next door to sisters who vie for his affections - the elder is quite desperate (protesting frequently that she is not) after her fiance was killed by a chainsaw accident; and the younger (Otto) is ... strange ... and eventually thinks that Sherry might be part fish. At the end of the movie, I just dont know what to make of it. It is bizarre, but beautifully shot (the cinematography is perfect); Slow paced, but enticing (the direction is outstanding); Off-putting and downright creepy at times (Im looking at you first seduction scene), but you feel for both women; And Otto is perfect (adding small quirks and mannerisms to every second her character is on screen that another actor would not have put in). Add an ending that is both strange and satisfying and you have this weird conglomeration of a movie. I dont know whether to love or loathe this film (so Ive split it down the middle - 3 stars).
Frøken Nitouche is a 1963 Danish comedy film directed by Annelise Reenberg and starring Lone Hertz and Dirch Passer. It is based on the operetta Mam'zelle Nitouche.
Five teenage girls navigate the twists and turns of their complicated emotional lives, and learn the secrets of the heart through their friendship.
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
The ENT doctor dr. Arnold Fischer, called Arnie, always tries to please everyone. His friend and colleague Gregor is quite different: Purposeful and enterprising, he thinks especially of his own progress. Together, they want to expand the practice to a state-of-the-art tinnitus center. For this they need the neighboring apartment, but lives in the Mathilda, in which the shy Arnie is secretly in love. He does not have the heart to show Mathilda out of the apartment. And so Gregor tries with not always fine methods to get rid of the unpleasant tenant - which ends in a complete disaster ...
A seasoned enforcer is given the seemingly routine task of finding the Boss's runaway mistress, Kitty. However Kitty is involved in plans to overthrow the Boss and this routine task gets very complicated.
Anne B. Real is the coming of age story of a young female rapper, who finds her inspiration by reading the Diary of Anne Frank.
A married woman falls in love with a 19-year-old girl, and she has to make a choice between her family and the one who might be the love of her life.
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.
Eddie Izzard brings her wry wit and absurd observations to a sold-out crowd of 44,000 over 4 nights at the Wembley Arena in London. Eddie deals with important issues ranging from Medusa's hair care, fighting sharks, dentistry, and the universal hatred of houseflies.