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So I wanted to watch an early film of Miranda Otto's and came across this one from 1996. It had a really good pedigree, winning the Caméra d'Or at Cannes that year, so I settled down. It follows (at a slow pace), a three-times divorced radio DJ ("Ken Sherry", unabashed Barry White fan) who moves to a small rural town in Australia. He moves in next door to sisters who vie for his affections - the elder is quite desperate (protesting frequently that she is not) after her fiance was killed by a chainsaw accident; and the younger (Otto) is ... strange ... and eventually thinks that Sherry might be part fish. At the end of the movie, I just dont know what to make of it. It is bizarre, but beautifully shot (the cinematography is perfect); Slow paced, but enticing (the direction is outstanding); Off-putting and downright creepy at times (Im looking at you first seduction scene), but you feel for both women; And Otto is perfect (adding small quirks and mannerisms to every second her character is on screen that another actor would not have put in). Add an ending that is both strange and satisfying and you have this weird conglomeration of a movie. I dont know whether to love or loathe this film (so Ive split it down the middle - 3 stars).
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
Urho Kaleva Kekkonen, the long-time president of the Republic of Finland, is scheduled to visit Alli’s Bar on his way to northern Finland. He is blindly worshiped and the nearer the visit draws, the more envy, competition and dirty tricks come to bear in this small town setting. No one is spared the brutality!
Practically a home movie, Lena (Dunham) asks her parents to say specific lines for a film she's shooting while they request to be let in her apartment.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Karole and Ali love each other and dream of starting a family together. They soon realize it won't be as simple as they'd hoped, and as their enthusiasm falters their love is challenged. In order to overcome the obstacles, they must believe in the power of their desire and support of their loved ones. If they can do that, miracles will happen…
A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.
Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
