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At one point in the film, John Abraham’s character Raj declares, “Zaroori nahi ki har cheez ka matlab ho.” This is perhaps the guiding light for the story, screenplay, dialogues and pretty much everything that goes on in Pagalpanti. The problem is not the fact that it is a slapstick comedy, but the fact that there’s little or no semblance of a coherent narrative. From the very first scene, the film is armed with loud action and dialogues trying to be funny, but far from that. And there are a lot of characters, one sillier than the other. While Anil Kapoor once again plays the flashy gangster with his trademark loudness, Arshad Warsi is the funny guy with witty one-liners. John Abraham exudes charm despite his goofy character and Pulkit Samrat once again plays up on his boyish charm. But the three heroines are reduced to looking pretty and mouthing silly lines such as, “Papa kehte hain kiss karne se main pregnant ho jaungi.” Among the character artistes, Saurabh Shukla is impressive as the bumbling mobster who is more funny than scary. There is also a character named Niraj Modi (Inaamulhaq) evidently fashioned on the fugitive businessman Nirav Modi. With an unconvincing Gujarati accent, his character comes off as yet another stereotypical cliche. Director Anees Bazmee, along with his co-writers, throw in everything into the mix. From exciting car chases to high-octane destruction scenes, from African lions to an entire act involving industrial strength glue – all shot beautifully in the picturesque UK. But nothing sticks, thanks to a weak script. There are far too many songs placed randomly that only add to the run-time. Towards the end, it even meanders into a patriotic subplot that seems more forced. Even with an enviable star-cast and heavy-duty action, Pagalpanti never really manages to pull off more than a few laughs.
Aman, a Pakistani man living in London, falls in love with Asha, an Indian woman. But he must convince her parents to let them get married, despite their different nationalities.
Om, a special forces para commando officer, loses his memory while fighting enemies. After recovering from amnesia, Om is on a mission to save the nation from terrorists. As he fights the challenges the mission presents, he learns a shocking truth about his life.
Biswa Kalyan Rath, is a comedian who used to be angry at the world. Now he is disappointed. In this special, shot in London because London is on Earth and he is a human of Earth, he explores various themes on how the world is an irritating place. On second thought he's still angry but that's none of your business unless you are also angry, in which case please watch. Enjoy. Or don't. Any problem?
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
A troubled ACP adopts a young poor child named Deva whose mother and father died. When he grows up, he helps his adopted father as a police officer and ACP to solve various crimes around town to save his job and protect his family. Deva should not only help his father by tracking down a mob or fight gang members, but he has to release his half-brother Karan from police custody after he is framed for murder.
Rani, a 24-year-old homely girl, decides to go on her honeymoon alone when her fiancé calls off the wedding. Traveling around Europe, she finds joy, makes friends, and gains new-found independence.
A satire on inflation-hit middle-class Indian family from a small city in North India. The story revolves around our protagonist who is struggling to survive in this spiraling inflation and how he comes up with a solution to battle it, only to find himself in an even bigger mess due to their innocence and naivety.
Prior to the India-Pakistan war of 1971, the RAW (Research and Analysis Wing) trains an Indian banker in espionage and martial arts, and sends him to Pakistan for an undercover operation where he finds himself sinking between emotions and violence.
A mysterious stranger arrives in a village situated in the Thar desert and crosses paths with a veteran cop investigating a case of brutal killings.
