妖艶毒婦伝　般若のお百

It is the end of the Taisho era (1912-1926), and at the Hanazuki-tei theatre in Asakusa, the famous performance of storyteller Koiso Kikuji and performer Kataoka Koshin is reaching its climax when the Tawaraya family interferes... This is an entertaining action film bursting with righteousness and humanity, centred on men who try to live righteously against a corrupt boss who preys on the performers.

Three new students at a super-strict girl's school must face off with a repressive school administration, the sadistic, murderous student discipline brigade and corrupt politicians over the murder/suicide of one of their friends. They're approached by a blackmailer (Tsunehiko Watase) who promises to help them exact vengeance in exchange for setting up a corrupt local politician, and aided by a independent Yakuza biker chick (Reiko Ike).

Reiko Oshida stars as a young wannabe gangster tough girl, just released from reform school. She tracks down one of her classmates fathers, who runs an auto repair shop that the local Yakuza are trying to force out of business and take over, and starts working for him. At the same time a recently released from prison, and now ill Yakuza is trying to make a new life for himself and his girl, a friend of Reiko's, who also just graduated from reform school. A fateful car crash brings the two on a collision course with each other and the brutal Yakuza clan, which can only end bloody vengeance.

In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!

Tamaki's (Iwashita) husband is the head of the Idei clan, based in southern Osaka. As the film opens, punch-permed lieutenant Ginji (Riki Takeuchi) is killed while pumping iron. Following the hit, rumors and recriminations abound, slowly corroding the clan's cohesion. Ginji, it turns out, was mired in debt. After Ginji borrowed a small fortune to build a luxury resort, his bank went belly up and stopped financing the loan. Frantic for funds, he decided as a last resort to rat out his boss who had skimmed five-billion yen from the gang. Soon everyone assumes that Idei did the hit. Convinced that Idei is being framed, Tamaki sets out to find the real killer.

The struggle to become number one in a Roppongi hostess club. Based on a story by Akira Eshima. In Roppongi's "Papillon," a popular cabaret club among many, there were two number one hostesses. One was Ayame, rumored to be a virgin, who meticulously attends to each customer. The other was Tsubaki, who was willing to engage in intimate business dealings, thereby attracting high-spending clients. Into such a "Papillon," Yuri has just joined.

A Yakuza boss's wife and the widow of a rival crime syndicate's murdered leader bond over a common purpose: to seek vengeance.

The seventh movie of the series “Yakuza Ladies” focuses on a wife of a small Osaka family. She risks her life to protect her husband’s family and its members against much larger, more established organizations.

Sakata protects a little boy while coping with rival gangs.

That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

On the anniversary of his sister's death during a protest against a corrupt police unit in Nigeria, an immigrant now living in London, battles survivor's guilt.