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**_Bronson and Jill in a satire about the making of legends_** Many years after the Civil War, an outlaw (Charles Bronson) is forced to stay with a humorless Victorian woman (Jill Ireland) while his buds pull off a job in the nearby town. The few hours they spend together become legendary after she chronicles the events. “From Noon till Three” (1976) is an atypical Western that features a quirky air and comedic bits combined with some effective romance in the mold of the first half of “Bandolero” or “The Ballad of Cable Hogue,” but morphs into a parable about myth being more important than reality. It’s better than “Goin’ South,” but not as entertaining as "The Duchess and the Dirtwater Fox,” keeping in mind that this isn’t an all-out comedy like the latter. It has the tone of, say, “There Was a Crooked Man...” As long as you don’t expect the awe of “Chino” or the grim action of "Breakheart pass," it’s entertaining enough in its unique way. Jill is stunning and winsome as usual. The moral doesn’t just apply to popular legends, like Jesse James, Wyatt Earp or Romeo & Juliet, but to the individual’s tendency to romanticize or bend the truth as years pass, making the person and occasion larger-than-life. The movie runs 1 hours, 39 minutes, and was shot at Thousand Oaks, California, and nearby Warner Brothers Burbank Studios. GRADE: B-
Our favourite police men are called together to deal with a gang who rob banks and jewelers. Using their various talents as well as their extraordinary luck, the crooks stand no chance against our men and women in blue.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.
A man who's a dead ringer for the leader of an outlaw gang kills the gang leader, then takes his place to try to bring the gang to justice.
Grace King Bichon, who is managing her father's riding-stable, discovers that her husband Eddie is deceiving her with another woman. After confronting him in the middle of the night on the streets of their small home town, she decides to stay at her sister Emma Rae's house for a while to make up her mind. Breaking out of her everyday life, she starts to question the authority of everyone.
On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.
The third installment in the Lucky Stars series, following Winners and Sinners and My Lucky Stars. The team are released from prison to play detective in order to stop a ruthless gang from ruining their reputations, taking their lives, and that of a key witness in an upcoming trial. They must battle their way through and with the help of Muscles, take down the bad guys.
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly - but the two soon become fast friends.