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Benny Loves You strives for cringe comedy and is 50% successful. Director Karl Holt has the ‘cringe’ part down, but he wouldn’t know comedy if it slapped him across the face – which is what a mother does to her small daughter early in this movie (leaving a handprint on the child’s cheek). Why exactly is this funny? Is it because the woman first asks in an internet forum whether “is it legal to smack my kid”? I mean, if you need to Google this, then you probably shouldn’t have kids in the first place. How about this: The protagonist, called Jack, works for a toy company. He designs a toy and names it in such a way that the resulting acronym is AIDS; hilarity then ensues, except it doesn’t. Pray tell, how would something like this even happen? Can't Jack spell? Does he even know how to read? Is he somehow unaware of what AIDS means? Thus far we have deadbeat parents and illiterate toy designers; a pattern emerges, according to which incompetence is supposed to be funny. If this were so, Benny Loves You would be a riot, considering how incompetently it has been written. Case in point; Jack and a colleague named Richard are vying for a promotion when Jack's parents are killed in a Final Destination-type accident. We then cut to “10 months later.” Jack and Richard are still competing for the same promotion. If neither of you has been promoted in almost a year, maybe it's time the both to give up hope. At some point in all this nonsense, Jack’s childhood plushy Benny comes to life and goes on a killing spree. Why? Who knows? Maybe he’s mad because he has all the elegance of movement of wet toilet paper. If Benny had any sense, he would kill himself instead, because he has nothing going on for him – no personality, no motivation, no rhyme and no reason. He lacks both the charisma of a Brad Dourif-voiced Chucky and the mechanical dexterity of a Puppet Master puppet. There is no ‘how’ or ‘why’ to Benny; just a big, fat ‘what?!’.
"Benny Love You" is a horror film that falls short in delivering the intended scares, with poorly executed character creation and lackluster storytelling. The characters, including the killer doll Benny, appear disjointed and unconvincing, giving the impression of being manipulated like marionettes. The acting, plot, and overall quality of the movie are deemed subpar, with the film failing to engage viewers due to its weak storyline and unimpressive performances. While Benny's appearance stands out as a relatively well-designed aspect of the film, the rest of the characters and their development are criticized for being poorly executed. Ultimately, the movie is deemed terrible, earning only a one-star rating for the slightly better visual design of Benny compared to other horror antagonists. The film's cheesiness and lack of believability contribute to a sense of absurdity, making it a challenging watch that fails to deliver any genuine scares or entertainment value.
Parental fears reach an early boil when five-year-old Saúl announces that he wants to dress up as a little Siren for the school's fancy dress party.
Howard Langston, a salesman for a mattress company, is constantly kept busy at his job, disappointing his son. After he misses his son's karate exposition, Howard vows to make it up to him by buying an action figure of his son's favorite television hero for Christmas. Unfortunately for Howard, it is Christmas Eve, and every store is sold out of Turbo Man. Now, Howard must travel all over town and compete with everybody else to find a Turbo Man action figure.
Monsters under the bed are scary enough, but what happens when an entire house is out to get you? Three teens aim to find out when they go up against a decrepit neighboring home and unlock its frightening secrets.
Better watch out! The big guy in red is coming to town once again. This time, Scott Calvin - also known as Santa Claus - finds out there's an obscure clause in his contract requiring him to take on a wife. He has to leave the North Pole to fulfill his obligations, or else he'll be forced to give up his Yuletide gig.
Chucky is reconstructed by a toy factory to dispel the negative publicity surrounding the doll, and tracks young Andy Barclay to a foster home where the chase begins again.
Eight years after seemingly destroying the killer doll, teen Andy Barclay is placed in a military school, and the spirit of Chucky returns to renew his quest and seek vengeance after being recreated from a mass of melted plastic.
This time around, Chucky and his homicidal honey, Tiffany, are brought back to life by their orphan offspring, Glen. Then the horror goes Hollywood as Chucky unleashes his own brand of murderous mayhem!
An innocent-looking doll is inhabited by the soul of a serial killer who refuses to die.
Woody, Buzz, and the rest of Andy's toys haven't been played with in years. With Andy about to go to college, the gang find themselves accidentally left at a nefarious day care center. The toys must band together to escape and return home to Andy.
Chucky is reborn when his old flame, Tiffany, rescues his battered doll parts from a police impound.
A naive business graduate is installed as president of a manufacturing company as part of a stock scam.