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Benny Loves You strives for cringe comedy and is 50% successful. Director Karl Holt has the ‘cringe’ part down, but he wouldn’t know comedy if it slapped him across the face – which is what a mother does to her small daughter early in this movie (leaving a handprint on the child’s cheek). Why exactly is this funny? Is it because the woman first asks in an internet forum whether “is it legal to smack my kid”? I mean, if you need to Google this, then you probably shouldn’t have kids in the first place. How about this: The protagonist, called Jack, works for a toy company. He designs a toy and names it in such a way that the resulting acronym is AIDS; hilarity then ensues, except it doesn’t. Pray tell, how would something like this even happen? Can't Jack spell? Does he even know how to read? Is he somehow unaware of what AIDS means? Thus far we have deadbeat parents and illiterate toy designers; a pattern emerges, according to which incompetence is supposed to be funny. If this were so, Benny Loves You would be a riot, considering how incompetently it has been written. Case in point; Jack and a colleague named Richard are vying for a promotion when Jack's parents are killed in a Final Destination-type accident. We then cut to “10 months later.” Jack and Richard are still competing for the same promotion. If neither of you has been promoted in almost a year, maybe it's time the both to give up hope. At some point in all this nonsense, Jack’s childhood plushy Benny comes to life and goes on a killing spree. Why? Who knows? Maybe he’s mad because he has all the elegance of movement of wet toilet paper. If Benny had any sense, he would kill himself instead, because he has nothing going on for him – no personality, no motivation, no rhyme and no reason. He lacks both the charisma of a Brad Dourif-voiced Chucky and the mechanical dexterity of a Puppet Master puppet. There is no ‘how’ or ‘why’ to Benny; just a big, fat ‘what?!’.
"Benny Love You" is a horror film that falls short in delivering the intended scares, with poorly executed character creation and lackluster storytelling. The characters, including the killer doll Benny, appear disjointed and unconvincing, giving the impression of being manipulated like marionettes. The acting, plot, and overall quality of the movie are deemed subpar, with the film failing to engage viewers due to its weak storyline and unimpressive performances. While Benny's appearance stands out as a relatively well-designed aspect of the film, the rest of the characters and their development are criticized for being poorly executed. Ultimately, the movie is deemed terrible, earning only a one-star rating for the slightly better visual design of Benny compared to other horror antagonists. The film's cheesiness and lack of believability contribute to a sense of absurdity, making it a challenging watch that fails to deliver any genuine scares or entertainment value.
A secret agent masquerades as a toy-seller, successfully concealing his alter ego even from his young son until, on a daring mission, he is captured by an evil arms dealer, then it falls to his inexperienced offspring to save the day.
Christmas Eve. A poor orphan boy trudges through the snow, pathetically. He finally arrives at his miserable cabin. While he is crying, Santa arrives and, singing the title song, offers to take the boy to his workshop. They arrive, and the toys go wild. He plays with a few toys. A candle falls off the tree and starts a fire. The toys try in vain to fight the fire; the boy hooks up a hose to a set of bagpipes and takes care of it.
A fast food restaurant mini variant of Buzz forcibly switches places with the real Buzz and his friends have to deal with the obnoxious impostor.
A toy version of Betty Boop drops in on a small toy shop. The other toys come to life and crown her their queen. Then the cartoon quickly turns into Fleischer's idea of King Kong.
After the last human has left the department store, the toys proceed to the music department where they start performing the Warren/Dubin song "We're in the money". The money soon joins for a chorus, as well as display dolls in the wardrobe department.
An ordinary Lego mini-figure, mistakenly thought to be the extraordinary MasterBuilder, is recruited to join a quest to stop an evil Lego tyrant from conquering the universe.
When Rex finds himself left behind in the bathroom, he puts his limbs to use by getting a bath going for a bunch of new toy friends.
Toys in a shop window come to life and visit a poverty-stricken little girl as she sleeps. She awakens to find that her shack has been refurbished and that the toys are about to throw her a party.
Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys.
After her mother's mysterious death, Nica begins to suspect that the talking, red-haired doll her visiting niece has been playing with may be the key to the mounting bloodshed and chaos.
This is the third time that Vik and his family have moved to a different city. Vik is a shy child who finds it hard to make new friends, and whenever he finally does start to open up to someone, his father's job inevitably causes the family to up sticks and relocate to a different part of the country, and Vik has to start all over again. Luckily for him, this time he soon meets Mai and Oto in the city park.