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**_How far can a civilized man be pushed?_** A well-to-do couple from Los Angeles (James Marsden and Kate Bosworth) move back to the wife's hometown in southern Mississippi and settle into the now vacant homestead. They enlist some roofers whom she knows from growing up, the leader being 6'4" Charlie (Alexander Skarsgård), a former boyfriend. Rivalry is in the air as he subtly tries to emasculate Amy’s brainy husband and she starts to question his manhood. Havoc ensues. “Straw Dogs” (2011) was shot in late summer, 2009, but not released until two years later. It’s a remake of the Peckinpah's film from 40 years prior, which changes the setting from the Cornish countryside of southwest England to the modern Deep South. It’s a psychological-thriller and so there's a lot of drama and subtle suspense build-up; things don't blow-up until the final act, similar to “Cop Land.” Anyone looking for mindless action should stay away, but those who enjoy films shot in the Deep South will likely appreciate this newer version. There are also similarities to "Of Mice and Men," like the mentally challenged guy who doesn't know his own strength (Dominic Purcell). The conflict here is basically brawn vs. brain or Lynyrd Skynyrd vs. Bach. Some have complained that Marsden was wrong for the role of the protagonist since it called for someone of shorter stature, like Dustin Hoffman in the original, but I feel Marsden is an improvement as David. This is a totally civilized man of average stature (5'10") with an intellectual occupation who is forced to shed all his civilized conditioning and revert back to the barbarism of his ancestors. Meanwhile Bosworth is superior to Susan George IMHO because she’s more intelligent and less all-around annoying. In fact, every key character is superior to the 1971 movie because of quality casting. Skarsgård, for instance, is both more likable or respectable (initially) and intimidating as Charlie compared to Del Henney. And James Caan is simply more entertaining in the role originally played by Peter Vaughan. There are also additional scenes that make it better than Peckinpah’s rendition, like the confrontation in the church parking lot and David’s explanation of what ‘straw dogs’ means. Questions are raised: Why would a rape-victim keep silent? Why is the popular high school cheerleader interested in the local mentally-challenged hunk? Why does the ex-coach hate this poor sob and why is he so rash? A little reflection will answer these and other questions. I like it when films don't spell everything out and make you think. If you appreciate Southern Gothic or Rural Gothic, as well as psychological crime thrillers, you should appreciate this. The flick is sophisticated and sneers at binary good/bad characterizations, rubbing the viewer’s face in humanity’s animalistic (or fallen) nature, which lies just beneath the veneer of civilized proprieties. I should add that there's a hard-to-watch rape scene and at least one other sexually suggestive scene (where you can't make anything out, but you know what's going on), not to mention the mayhem of the climax. But it's mostly an intelligent drama that slowly builds tension. It runs 1 hour, 50 minutes, which is 8 minutes less than the 1971 version (making it more streamlined). It was shot in Shreveport/Bossier City, Louisiana, and Vivian, which is a half hour drive northwest of the city. GRADE: B
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters - one who became his wife, and the other, his biographer.
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
Two men share an odd friendship while they care for two women who are both in deep comas.
A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
When Baton Rouge police detective Bud Carter busts contract killer Jesse Weiland, he convinces Jesse to become an informant and rat out the South's most powerful crime ring.