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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/dont-look-up-spoiler-free-review "Don't Look Up hilariously approaches almost every theme worthy of discussion through Adam McKay's satirical screenplay that will undoubtedly leave viewers either incredibly satisfied or extremely triggered, depending on their opinion about certain subject matters. Boasting an absolutely stellar cast, Netflix grabs a bold, divisive awards contender. Packed with allegories, references, and direct jokes surrounding all kinds of media, governments, socio-political topics, and environmental issues, McKay doesn't hold back, which might be a decisive factor in the audience's response. The cast offers unbelievably great performances, but without the protagonists Leonardo DiCaprio and Jennifer Lawrence, viewers would definitely look down to their phones instead of paying attention to the film. A fun flick to watch during the Christmas season." Rating: B+
This is of course social and political satire, and it is sad how much of it rings true. It can be difficult to satirize the excesses of the rich and famous — or even the redneck poor — and the social media juggernaut. But the script clicks on all cylinders a lot of the time and entertains as it eviscerates. I have always liked Mark Ryland’s roles, and this is a real departure for him as the media giant and third richest human ever. But I mostly found it difficult to like Dr. Mindy as he gradually adjusts his beliefs and personality to suit his new fame. My sympathy was with his wife and family, afterthoughts for 95% of the movie. But it was an entertaining movie and I would be willing to watch it again someday, not because of the serious issues it raised (slightly) but just to catch more of the social media and television images that flash across the screen too quickly to take them all in. The social media satire works better, I think, than the political side, which seemed sometimes to just choose an actual person and thrust a version of them into the scene.
Full Analysis at **Spotamovie.com** **_Intro _**The movie offers several denounces about our society, politicians, and media. We will tell you more in the analysis section of this post. But, on the other hand, the film is sharp, enlightening and it tries to wake up our minds because we lost our ability to think with our brain and see the reality of what is happening around us. **The Story** Two astronomers discover a comet orbiting within the solar system. Although the scientific community may be excited, the reality is that the comet will crash on earth precisely in 6 months and 14 days. Kate Dibiasky (Jennifer Lawrence) and her professor Dr Randall Mindy (Leonardo Di Caprio), immediately understand the apocalyptical consequences because the impact will wipe out any form of life from our beloved planet.Their mission is to inform the president of the United States of America and find a way to change the comet’s trajectory. The world must unite its strengths and save the life from a tragic end.How is the world going to react? After the comet, what else are our astronomers going to find out? And what the movie wants to teach us? **Discover more at https://www.spotamovie.com/dont-look-up-movie-review-and-analysis-2021-movie/**
Poor old "Kate Dibiansky" (Jennifer Lawrence) and her professor "Mindy" (Leonardo DiCaprio) have the misfortune to discover an huge comet heading on a collision course with Earth. When they report this to "Oglethorpe" (Rob Morgan) - the man at NASA charged with coping with such existential threats, the three are now exposed to the upper echelons of the US administration that frequently elicits a smile and a grimace from the audience. The real star of the movie, Meryl Streep, is "President Orlean" (Yes, guess what her Christian name is?) who presides over her government with the aid of her hapless chief of staff son "Jason" (Jonah Hill) in what is a very thinly veiled swipe at all things Trumpian. The story pretty much follows the thread of "Meteor" (1979) only with better special effects, and the corporate machinations of the "Blofeld"-esque "Isherwell" (Sir Mark Rylance) add quite a bit of faux-menace to this rather entertaining parody of disaster movie meets political drama by way of some manipulative and fickle television journalism (epitomised by a fun contribution from Cate Blanchett). The pace of the film is a bit hit-and-miss, but keep an eye out for a nice couple of scenes from Ron Perlman as the archetypally gung-ho, militaristic, "Drask" and from Timothée Chalamet (where does he find the time?) as the hippy love interest "Yule" that both add some bulk and humour to the otherwise quite flimsy plot that enjoys quite a really fitting end. At the top end of Netflix' productions this - for a change some decent writing accompanies an on-form cast and i enjoyed it.
On his latest expedition, Dr. Rick Marshall is sucked into a space-time vortex alongside his research assistant and a redneck survivalist. In this alternate universe, the trio make friends with a primate named Chaka, their only ally in a world full of dinosaurs and other fantastic creatures.
Yellowstone is a park, but it's also the deadliest volcano on Earth. Beneath it, a sleeping 'dragon' is stirring. When an earthquake opens a crack for magma to seep through, other warning signs of an eruption start popping up, but they are ignored or dismissed as 'minor'. But when they learn an eruption will happen, panic breaks out through people of the USA and the world.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
A mysterious man called Es/Kamen Rider Eden has emerged, committing simultaneous acts of terror across the world, with thousands of believers following his faith. While the people fall one by one and the world delves into chaos, Aruto Hiden stands up to stop him. Isamu Fuwa, Yaiba Yuia, Gai Amatsu, plus Jin and Horobi of MetsubouJinrai.net also transform into Kamen Riders and fight against the enemy while struggling to seek the truth.
During the last years of Franco's dictatorship, Fernando, an old republican exile, returns to his home in a small Castilian village and befriends Aurora, a young and attractive teacher.
A foreboding glimpse into the life of a girl under pressure from her parents concerning her eating behavior and childish tastes. Ignoring the family festivities, her parents ditch her for a day, leaving her in the care of a neighbor. The girl will regress to the events that have hurt her. "Rabbits have been a symbol of childhood ever since Lewis Carroll's portray of a certain elusive character, but it is in the interpretation of each psyche that it takes a more perpetual shape. In my analysis of its symbolism, the rabbit expresses a female childhood at an age close to puberty, along with the desire to leave the bonds; perhaps a virginal consciousness that remains in the symbol of rabbits to this very day." Laura Maria Isabel Ruiz Ocadiz.
When two people meet one night in London, their relationship blossoms and fractures, intertwined with impending societal collapse.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
An unprecedented series of violent tornadoes is sweeping across Oklahoma. Tornado chasers, headed by Dr. Jo Harding, attempt to release a groundbreaking device that will allow them to track them and create a more advanced warning system. They are joined by Jo's soon to be ex-husband Bill, a former tornado chaser himself, and his girlfriend Melissa.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".