Disney Parks Christmas Day Parade

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

While producing a reality TV show, a teenager meets a magician whose powers are real but put him in danger.

Animated character Fat Albert emerges from his TV universe into the real world, accompanied by his friends Rudy, Mushmouth, Old Weird Harold and Dumb Donald. Though the gang is flabbergasted by the modern world, they make new friends, and Albert attempts to help young Doris become popular. But things get complicated when Albert falls for her older sister, Lauri, and must turn to creator Bill Cosby for advice.

The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.

When a shower of massive meteors threatens an extinction level on Earth, the world's greatest minds devise a dangerous plan that will take the planet off its axis in order to avoid the impact.

Join in this feztival of fun which contains the best loved sketches and classic routines from one of Britain's Favourite clowns who returns for yet more side-spitting sketches. Watch as all his conjuring tricks misfire and let his maniacal laugh take over you in his unique and inimitable style. A true comic genius with unmistakable fez, he will make you laugh out loud... just like that!

Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.

C-3PO and R2-D2 are on their way to Biitu to meet their new master, Mungo Baobab, when their ship is attacked and they are taken prisoner. Biitu has been taken over by the giant mechanical Great Heep who works with the Empire, enslaving the natives by using droid enforcers and draining R2 units to keep up his strength. Meanwhile Mungo has been imprisoned to be handed over to his arch enemy Admiral Screed.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.