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Someday at a Place in the Sun - (Mar 12th)
Crimewatch Live - (Mar 12th)
Selling Houses Australia - (Mar 12th)
Family Feud Canada - (Mar 12th)
Home of the Year - (Mar 12th)
Ishura - (Mar 12th)
Wild Cards - (Mar 12th)
Allegiance - (Mar 12th)
A Killers Mistake - (Mar 12th)
Body Bizarre - (Mar 12th)
The Weekly with Charlie Pickering - (Mar 12th)
The Dog House Australia - (Mar 12th)
The Chase Australia - (Mar 12th)
Watch What Happens Live with Andy Cohen - (Mar 12th)
Deal or No Deal Island - (Mar 12th)
Deal or No Deal Island After Show with Boston Rob - (Mar 12th)
The Curse of Oak Island - (Mar 12th)
Married at First Sight - (Mar 12th)
The 11th Hour with Stephanie Ruhle - (Mar 12th)
Tribunal Justice - (Mar 12th)
Not a good watch, probably won't watch again, and can't recommend unless you're obsessed Vanessa Hudgens or the first movie / Freaky Friday tropes. Look, Vanessa Hudgens does a good job working 3 times as hard for the same paycheck, but the story is a mess. The characters literally have discussions about how they don't know what's going on anymore. The addition of this cousin undercuts the original movie's concept that it's amazing that someone else could look just like her. It is also barely amusing. Where the first was "Freaky Friday" meets "princess diaries", this folds in "The Hustle" to add a criminal element, but like big crime: kidnapping and international affairs. It is a very specific band of fans that are going to love this. It's not like there isn't anything to love, but the big selling point is the worst thing about the movie: it actually would have been good if they had the confidence to just do a simple switch again.
Rubbish. Vanessa Hudgens remains terrific, but 'The Princess Switch: Switched Again' is disappointing in every other way. I enjoyed the first, but this is a let down. The plot is woeful, with the set-up and execution equally as bad. The new characters are lame, while what they do with the original lot is boring. The new character is just annoying, not helped by how poorly they are written; as are the clichéd goons alongside, though noteworthy (for me) to see Ricky Norwood cast as one of them - Fatboy himself. iykyk. Elsewhere, the main bunch from the first film reprise their roles, with the exception of Alexa Adeosun as Olivia - which is a shame. I admit this isn't anything utterly terrible, I didn't dislike it massively. I wanted a better follow-up though, this is a rather lacklustre attempt. A third film has already begun filming, I'll likely watch it either way but hopefully it's an improvement on this.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
Two women, one from the United States and one from the United Kingdom, swap homes at Christmas time after bad breakups with their boyfriends. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.
A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
The comic mishaps and adventures of a young boy named Ralph, trying to convince his parents, teachers, and Santa that a Red Ryder B.B. gun really is the perfect Christmas gift for the 1940s.
Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.
A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.