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Range war fails to ignite. Ten Wanted Men (the title hints at something far more dramatic than is actually in the picture) is a serviceable, but instantly forgettable Western from the Scott-Brown production company. Directed by jobber H. Bruce Humberstone, with a screenplay by Kenneth Gamet (from a story by Irving Ravetch) and filmed in Technicolor out in Old Tuscon, it feels (and is) lifeless and poor on structure and execution. With some misplaced humour and a cobbled together plot, this ultimately ends up as a time filler for Randy Scott completists only. There's some enjoyment to be had from watching our Randy lob dynamite around, and Leo Gordon steals the movie as menacing villain Frank Scavo, but sadly it never comes together to make a worthy mark. Which when you have cast list that contains Randolph Scott, Richard Boone, Lee Van Cleef, Skip Homeier and Dennis Weaver! then that's a crime as much as it is a shame. 4/10
**_Has its points of interest, but not one of Scott’s better Westerns_** When the lovely ward of a menacing rancher in Arizona (Richard Boone) flees to the spread of a rival cattle baron (Randolph Scott) he hires ten shady gunmen to set things a’right. Leo Gordon and Lee Van Cleef are on hand as the latter while a youthful Dennis Weaver plays the Sheriff. "Ten Wanted Men" (1955) is a weak but watchable Western by Scott, who co-produced. It’s a loose take on the Billy the Kid story with different names and switching from New Mexico to Arizona. Skip Homeier plays the Kid, although he’s not an outlaw. Scott takes the John Chisum role while Lester Matthews fills the John Henry Tunstall part as the father of Homeier’s character. Meanwhile Boone plays the Lawrence Murphy part as the key villain with Leo Gordon basically taking the role of James Dolan. On the female front Jocelyn Brando plays Scott’s potential love interest while Donna Martell is on hand as the fetching Latino and point of contention between Boone and Homeier. Despite the quality cast, the parallel to the Lincoln County War and plenty of action, including lots of dynamite throwing in the last act, the story is curiously boring, although not completely. So the flick is worthwhile for fans of Scott Westerns, just don’t expect the expertise of "Ride the High Country" (1962), "The Tall T" (1956) or “Hangman's Knot” (1952). I’d even watch “The Stranger Wore a Gun” (1953) over this. The film runs 1 hour, 20 minutes, and was shot in Old Tucson & wilderness parts of Arizona (e.g. Sonoran Desert & Sierrita Mountains), as well as Lone Pine, California. GRADE: C+
Try as he might, Randolph Scott never really could play a tough character convincingly. To me, he just always looked like too much of decent, honourable man. This film, though, is one of his better efforts as the rancher ("Stewart") who steps in to protect "Corrine" (Jocelyn Brando) from the clutches of her nasty guardian "Campbell" (Richard Boone). Irked by her defection, he hires "Scavo" (Leo Gordon) and a band of outlaws to terrorise the town - a plan not without it's own risks as he soon discovers to his cost. Director Bruce Humberstone keeps the pace of this action adventure moving along quite well, it has plenty of double crosses, shoot 'em ups; even some house demolition - dynamite style - and Gordon actually makes for quite a decent baddie. Snags? Well the love triangle thing gets a bit dull after a few minutes, and the script is all over the place - it even tries it's hand at some very feeble jokes! It's still quite a watchable western but I'm afraid that it won't leave much of an impression on you - it certainly didn't with me.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Violet Barton, a femme-fatale goal-setter, fascinates men and readily returns their affection to obtain the wealth she desires, even to the point of bigamy. She has an affair with gambler Gregg Delaney but marries his best friend, Johnny Hale, when she discovers Hale is the richest man in Texas. This loses her the respect of her sister, Janet, who loves Hale, and Delaney, who loves Violet. Meanwhile, town sheriff Bill Howard is working hard to get Delaney to confess to a murder.
Four young toughs have ridden into Trail City and claimed it as easy pickings for their bullying and gunplay. The whole town will be overrun by lawlessness if decent folks like rancher and Civil War veteran Sam Christy don’t take a stand.
Fur theives are looting the traps on the ranch where Roy is foreman and they have murdered one of Roy's friends.
A cowboy out to find out who murdered his brother discovers that the killers may not be who he thought they were.
A study in greed in which treasure hunters seek a shipment of gold buried in Death Valley.
Zara Montalve, half Spanish and half America, returns to her native California in time to see her parents murdered for their hacienda and gold by Sheriff Jim Harding and his gang. Posing as Lola Belmont, an American visiting from Detroit, teams up with Joaquin Murietta, posing as Carlos Del Rio, to form a Robin-Hood type band that takes vengeance on the gang and restores stolen gold to its rightful owners, aided by militia leader Dan Hinsdale.
Reverend Julian Shay (Willie Nelson) strode into the saloon, pulled out his six-shooter, and killed his adulterous wife (Morgan Fairchild) and the man she had left him for. It was the beginning of his violent transformation from God-Loving preacher to ruthless outlaw.
A mutilating knife-killer haunts the small Southwest-desert town of Mescal. Though most victims have been prostitutes, the first was none other than Travis Mescal, the only son of the town's first family. When the Sheriff proves unable to solve the case, the town leaders invite Investigator Burns to unravel the mystery.
Frenchie Fontaine sells her successful business in New Orleans to come West. Her reason? Find the men who killed her father, Frank Dawson. But she only knows one of the two who did and she's determined to find out the other.