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Range war fails to ignite. Ten Wanted Men (the title hints at something far more dramatic than is actually in the picture) is a serviceable, but instantly forgettable Western from the Scott-Brown production company. Directed by jobber H. Bruce Humberstone, with a screenplay by Kenneth Gamet (from a story by Irving Ravetch) and filmed in Technicolor out in Old Tuscon, it feels (and is) lifeless and poor on structure and execution. With some misplaced humour and a cobbled together plot, this ultimately ends up as a time filler for Randy Scott completists only. There's some enjoyment to be had from watching our Randy lob dynamite around, and Leo Gordon steals the movie as menacing villain Frank Scavo, but sadly it never comes together to make a worthy mark. Which when you have cast list that contains Randolph Scott, Richard Boone, Lee Van Cleef, Skip Homeier and Dennis Weaver! then that's a crime as much as it is a shame. 4/10
**_Has its points of interest, but not one of Scott’s better Westerns_** When the lovely ward of a menacing rancher in Arizona (Richard Boone) flees to the spread of a rival cattle baron (Randolph Scott) he hires ten shady gunmen to set things a’right. Leo Gordon and Lee Van Cleef are on hand as the latter while a youthful Dennis Weaver plays the Sheriff. "Ten Wanted Men" (1955) is a weak but watchable Western by Scott, who co-produced. It’s a loose take on the Billy the Kid story with different names and switching from New Mexico to Arizona. Skip Homeier plays the Kid, although he’s not an outlaw. Scott takes the John Chisum role while Lester Matthews fills the John Henry Tunstall part as the father of Homeier’s character. Meanwhile Boone plays the Lawrence Murphy part as the key villain with Leo Gordon basically taking the role of James Dolan. On the female front Jocelyn Brando plays Scott’s potential love interest while Donna Martell is on hand as the fetching Latino and point of contention between Boone and Homeier. Despite the quality cast, the parallel to the Lincoln County War and plenty of action, including lots of dynamite throwing in the last act, the story is curiously boring, although not completely. So the flick is worthwhile for fans of Scott Westerns, just don’t expect the expertise of "Ride the High Country" (1962), "The Tall T" (1956) or “Hangman's Knot” (1952). I’d even watch “The Stranger Wore a Gun” (1953) over this. The film runs 1 hour, 20 minutes, and was shot in Old Tucson & wilderness parts of Arizona (e.g. Sonoran Desert & Sierrita Mountains), as well as Lone Pine, California. GRADE: C+
Try as he might, Randolph Scott never really could play a tough character convincingly. To me, he just always looked like too much of decent, honourable man. This film, though, is one of his better efforts as the rancher ("Stewart") who steps in to protect "Corrine" (Jocelyn Brando) from the clutches of her nasty guardian "Campbell" (Richard Boone). Irked by her defection, he hires "Scavo" (Leo Gordon) and a band of outlaws to terrorise the town - a plan not without it's own risks as he soon discovers to his cost. Director Bruce Humberstone keeps the pace of this action adventure moving along quite well, it has plenty of double crosses, shoot 'em ups; even some house demolition - dynamite style - and Gordon actually makes for quite a decent baddie. Snags? Well the love triangle thing gets a bit dull after a few minutes, and the script is all over the place - it even tries it's hand at some very feeble jokes! It's still quite a watchable western but I'm afraid that it won't leave much of an impression on you - it certainly didn't with me.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw
The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for their mother's funeral, and discover that the family ranch is now in the hands of Morgan Hastings, the town's gunsmith.